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The Rehearsal: A Novel (Reagan Arthur Books), by Eleanor Catton
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All the world's a stage--and nowhere is that more true than at an all-girls high school, particularly one where a scandal has just erupted. A teacher has had an affair with his underage student, and though her friends pretend to be dismayed, they are secretly curious and jealous. They obsessively examine the details of the affair under the watchful eye of their stern and enigmatic saxophone teacher, whose focus may not be as strictly on their upcoming recital as she implies.
When the local drama school turns the story of the scandal into their year-end show, the real world and the world of the theater are forced to meet. With both performances--the musicians' and the acting students'--approaching, the boundaries between dramas real and staged, private and public, begin to dissolve. THE REHEARSAL is a tender portrait of teenage yearning and adult regret, an exhilarating, darkly funny, provocative novel about the complications of human desire.
- Sales Rank: #786653 in Books
- Published on: 2011-08-24
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 1.00" w x 5.50" l, .66 pounds
- Binding: Paperback
- 336 pages
From Publishers Weekly
Theater, says one of the characters in Catton's shrewd if turgid debut, is a concentrate of life as normal. This idea must be embraced in order to enjoy a novel in which the characters speak and act as if on stage. The girls at the Abbey Grange school are shocked by an affair between a teacher and a student, but Catton aptly observes that they are mostly disappointed by being only peripherally involved in such delicious drama. The girls confide in their saxophone teacher, a puppet-mistress straight out of Notes on a Scandal, who becomes intent on orchestrating a relationship between two of the girls when not delivering monologues on teaching and the psychology of teenage girls. A subplot follows bland first-year drama student Stanley and his increasing involvement with a group of Abbey Grange students focused on staging a play that will also provide a convenient narrative collision point. The novel's real subject is the performance of human life, and in this respect, Catton's choice of adolescent girls and drama students is apt, though the cast is limiting and their revelations repetitive. It's a good piece of writing, but not an especially enjoyable novel. (May)
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From Booklist
*Starred Review* Written as her master’s thesis in creative writing, New Zealand author Catton’s first novel was shortlisted for the Guardian First Book Award. Considering the author was only in her early twenties when she wrote it, The Rehearsal is a tour de force that tells two stories simultaneously while delighting in doubles, parallels, and couples. The first story is of the sexual abuse of a high-school girl by her adult (male) music coach; the second is of how a neighboring drama school adopts this incident as the dramatic core of its year-end performance. Performance is the operative word here, for the two stories, which gradually come together, are presented scenically (some complete with stage directions) with dialogue that is less human speech than declamation or dramatic monologue. Readers are invited to consider that adolescence is a rehearsal for adulthood, various characters trying on personae and emerging sexual identities as they might costumes for a performance. Linking the girls’ stories is their female saxophone teacher, a powerfully realized character who serves as surrogate analyst and stage manager of their lives. That scenes are often presented nonchronologically, plus the fact that the line between performance and reality grows increasingly blurred, renders this a challenging and sometimes overintellectualized read, but the combination of beautiful writing and inventive, nontraditional structure still make it a dazzling debut. --Michael Cart
Review
"A wildly brilliant and precocious first novel . . . this young writer is astonishingly talented, and her writing can steal any scene."―Adam Ross, New York Times Book Review
"Imagine Sue Sylvester's lines from 'Glee' delivered by Judi Dench and you'll begin to capture the tone taken by the teachers in this mordant debut novel."―Scott Heller, New York Times
"Eleanor Catton's seductive debut is a vibrant novel that tests its readers, both in terms of context and form. . . . Daring and lush. . . a most beguiling read."―Stephenie Harrison, Bookpage
"The Rehearsal is a tour de force that tells two stories simultaneously while delighting in doubles, parallels, and couples . . . the combination of beautiful writing and inventive, nontraditional structure still make it a dazzling debut."―Michael Cart, Booklist (starred)
"This is a mesmerizing, labyrinthine, intricately patterned and astonishingly original novel. It's really something else entirely. I suppose if you need a point of reference, you might say it's as if Miss Jean Brodie got lost in Barth's funhouse. But really it has no comparison. With The Rehearsal you get the style, the sophistication, the boundless possibility and the narrative pleasures that make up any good novel, but you get a bonus, too: a glimpse into the future of the novel itself."―Joshua Ferris
"A wonderful debut by a truly exciting new writer--The Rehearsal is compulsively good and while at the same time being immensely readable it also continually calls into question the relationship between so-called 'reality' and fiction, and the very nature of truth itself."―Kate Atkinson
"Dazzling....This astonishing debut novel is a cause for surprise and celebration: smart, playful and self-possessed, it has the glitter and mystery of the true literary original....wherever the book falls open it's near-impossible to put down."―Guardian
"Uncommonly witty and bold....[The Rehearsal has] a real knack for narrative and a cast of painfully familiar teenage characters who are all desperate to be as confident, cool, charismatic and funny as possible. These are qualities that the extraordinary Eleanor Catton has in spades."―The Times of London
"Startlingly original."―Time Out of London
"The Rehearsal is a significant debut novel from an exciting young writer. Eleanor Catton is a new talent who has arrived fully formed, with an accomplished, confident and mature voice. This is a startling novel, striking and strange and brave."―New Zealand Listener
"This is a daring book, full of velvety pleasures but never afraid to show its claws. Eleanor Catton is crazily talented and insightful--and best of all, she makes language seem new."―Emily Perkins, author of Not Her Real Name and Other Stories
Most helpful customer reviews
20 of 21 people found the following review helpful.
BREAK A LEG!!!
By Pamela A. Poddany
THE REHEARSAL
We meet Victoria and Isolde, two sisters who attend a private girls school, Abbey Grange. A short distance away is the Drama Institute. These two establishments collide when an affair between Victoria and her teacher, Mr. Saladin, comes to light. The Drama Institute takes on this scandal and works it into their year-end performance production.
The book deals with the reactions of students to the shocking affair between Victoria and Mr. Saladin. Many of the students share their thoughts with the saxophone teacher who tutors many of them. The saxophone teacher, in my humble opinion, was the most outstanding character in this book. Her dry and witty humor, outspoken remarks, her almost cruel conversations and observations were simply hilarious and made her very life-like and believable.
As for the other characters, they seemed almost cardboard in comparison to the saxophone tutor who stole the entire show -- for me.
The book takes place within a year's time. The chapters read quickly and are headed by days of the week and/or month. The book revolves around the students reactions, thoughts, and the consequences of the affair.
Ms. Catton was in her early 20's when she wrote this book, which was written as her master's thesis for creative writing! This book was honored by being shortlisted for the 2009 Guardian First Book Award. Ms. Catton's writing skills have much to offer to the literary world.
This book is well written and reads in a very different and interesting fashion. Real life and the drama of the theater clash together. However, this book was hard for me to read and I felt as if I were plodding through. I wanted to enjoy it much more than I did, but it just wasn't my cuppa.
Thank you.
Pam
28 of 31 people found the following review helpful.
All the world's a stage...
By Ripple
If you are the type of person who wants their novels to start at the beginning, build character and plot before coming to a satisfying "they all lived happily ever after" ending, then avoid this book at all costs. You will hate it. But I cannot remember when I last enjoyed a book as much as this one. For a first novel, it is ambitious, daring and complex, and yet it works beautifully. I would not be surprised if this wins a number of awards this year - it has all the ingredients that the award-givers seem to love.
The basis for the story is a scandal at a school involving a music teacher, Mr Saladin, and Victoria, the elder sister of one of the main characters, Isolde. This impact of this event is viewed both from the point of view of the girls at the school, and also as the basis for an end of year drama production by the local drama Institute. The two stories start separately, but inevitably mesh as the book progresses. The drama school bit is arguably a bit of a stretched conceit, but this is forgivable as the author explores the concepts of reality and performance. But this is just one of the aspects of this book.
Was the errant Mr Saladin any worse than the dark and mysterious "saxophone teacher" whose attempts to control and interfere with her charges appears at times more sinister than Mr Saladin's sexual urges. But her habit of speaking exactly what she thinks is hilarious at times. And the author's psychological insights into the fears of teenagers growing up are beautifully observed. And how does the media (in this case a play) reflect reality - and does reality exist - and how much of it is performance (as Shakespeare once noted), and so much more....
There's dark humour aplenty mixed with the fears and excitement of growing up. It is a very difficult book to describe - the voices sound real in an unreal way. The closest I can get to explaining it is a line given by the Head of Acting at the drama Institute who likens plays to the ancient Greek god statues - they are not meant to be representative but they allow you a point of access that seems real. If that sounds pretentious mumbo-jumbo, that is what makes this book so excellent - it is such a complex tapestry of a story that it could easily have come over as pseudo-high brow and pretentious, but it doesn't largely because it's told with humour and sympathy. The characters, while not all likeable, are all easy to sympathise with and all are clearly drawn. It's not an easy book to start, but after ten pages, I was hooked and it's the kind of book that you can re-read and get more out of. And the more you read, the more it rings in your head, like a piece of classical music the phrases and stories are inter-woven.
I can see why some will hate this book (there is little in the way of direct narrative, the time scenes jump around, and some of the voices are far from naturalistic, and the ending is a little anti-climactic), but it is one of the most innovative and intricate books I've read in a long while and as a first novel it is astonishingly adept. I will be recommending this book to everyone.
20 of 22 people found the following review helpful.
Life is theatre
By "switterbug" Betsey Van Horn
Reading this debut novel was like sitting in a black box theatre watching a play, suspended in time, and often like watching a rehearsal of the play that I am watching. As the characters move into focus, the lighting techniques add a perspective to the dialog. Just like a play's story is told through dialog; lighting; and movement (called blocking in theater lingo), Catton's novel coheres and communicates through the visible frame of a theatre lens; the boundaries of the theatre are the boundaries of the narrative technique that she employed to tell this story. Any action that is not possible within the constraints of a stage is not part of the immediate action of the novel. In lesser hands, this could have gotten weary for the reader. However, it felt like Catton effortlessly exhaled this novel. The theme of escaping yourself--of desperately wanting to be someone else--is a context of narrative construction as well as foundation for the story.
The story takes place between three neighboring groups of students. The Drama Institute is a drama college for aspiring actors, and the girls' high school, Abbey Grange, is an elite private school. The music school rounds out the settings of this novel. The sax teacher, a female of unknown identity, is often seen in shadow or startling light. Speaking of identity, only first or last names are identified, all except for one replacement teacher, Jean Critchley, who came on board when music teacher Mr. Saladin was let go. He had a scandalous affair with Victoria, one of the girls from Abbey Grange. This affair is the centerpiece story, from which all other stories, themes, and actions unfold. The abbreviated names personify the characters and their motivations in shadow for much of the story.
This is a cloistered world where arch teenagers say cruel things to each other and communicate through a pecking order. The most genetically sparkling are the most popular, and deviance is not tolerated (although desired). Reality is less authentic than truth, insist the acting teachers. Truth is uncovered and dislodged via a staged experience. The Theater of Cruelty is an exercise taught to first year drama students that both perverts and illuminates the human boundaries and boundlessness of ambition and fear.
The sax teacher speaks with a frank and flinty tongue to intrusive stage mothers and manipulates her students into shocking reenactments of her own past desires. Julia, (earmarked as the deviant ) and Isolde, (the beloved and in vogue), two of her students from the high school, feel caged by their status. Additionally, the students envy Isolde's sister, Victoria, because she was desired by an adult. She is now a celebrated victim. The sax teacher taps into their confusion and pulls their emotional strings, inwardly avid as they puppet her predilections.
The acting teachers, known mainly as The Head of Acting and The Head of Movement, seek out favorite students who are reinventions of their past selves. Stanley is an earnest first-year student looking for his niche and willing to do audacious things to shed his virginal skin and experience the adult and sophisticated world. As reality is eclipsed by truth, the core of human behaviors--shame, fear, love, hate, and ambition--are played out with glee and gloom on a stage of human experience.
As a former and very amateur stage actress, I was fortunate to take acting classes with strong teachers that taught me techniques from various schools of thought. It allowed me to identify that this novel did a masterful job of conveying the philosophies and approaches to acting that are taught by places such as the Berghof Studio, the Stella Adler Academy, and the Method school of acting. Catton, raised in New Zealand, was twenty-two when she wrote this impeccably researched book. She explored and exploited the stage experience with a witty and subversive precision. Moreover, she told a story about human nature, about pretending and escaping your limitations, about navigating through the quagmire of human desires--to find truth though lies.
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