Senin, 31 Maret 2014

@ Free Ebook One Fine Day, Vol. 3From Yen Press

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One Fine Day, Vol. 3From Yen Press

Nanai, Guru, and Rang have had their share of fun living with No-Ah in his magical house, but life isn't always strawberries and cream - it's all kinds of experiences sifted together. Often it is the bitter memories that make happy times taste even sweeter. Enjoy a third helping of heartwarming stories in the final volume of One Fine Day!

  • Sales Rank: #2265510 in Books
  • Published on: 2010-09-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .50" w x 5.75" l, .43 pounds
  • Binding: Paperback
  • 160 pages

About the Author
Sirial is the artist behind series "One Fine Day" and "Milkyway Hitchhiking."

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very adorable.
By Margaret C.
A good last volume of an adorable short series by Sirial. More slice of life goodness. And cuteness. :D

0 of 1 people found the following review helpful.
LOVE THIS SERIES
By Morgynn Venters
I love this series. it' so cute :)
I love Rang, Nanai and Guru and No-ah and even Aileru :)

See all 2 customer reviews...

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Minggu, 30 Maret 2014

## Download PDF Say You're One of Them (Oprah's Book Club), by Uwem Akpan

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Say You're One of Them (Oprah's Book Club), by Uwem Akpan

Each story in this jubilantly acclaimed collection pays testament to the wisdom and resilience of children, even in the face of the most agonizing circumstances.

A family living in a makeshift shanty in urban Kenya scurries to find gifts of any kind for the impending Christmas holiday. A Rwandan girl relates her family’s struggles to maintain a facade of normalcy amid unspeakable acts. A young brother and sister cope with their uncle’s attempt to sell them into slavery. Aboard a bus filled with refugees—a microcosm of today’s Africa—a Muslim boy summons his faith to bear a treacherous ride across Nigeria. Through the eyes of childhood friends the emotional toll of religious conflict in Ethiopia becomes viscerally clear.

Uwem Akpan’s debut signals the arrival of a breathtakingly talented writer who gives a matter-of-fact reality to the most extreme circumstances in stories that are nothing short of transcendent.

  • Sales Rank: #70750 in Books
  • Brand: Back Bay Books
  • Published on: 2009-09-18
  • Released on: 2009-09-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.00" w x 5.50" l, .85 pounds
  • Binding: Paperback
  • 384 pages
Features
  • This Certified Refurbished product is tested and certified to look and work like new. The refurbishing process includes functionality testing, basic cleaning, inspection, and repackaging. The product ships with all relevant accessories, a minimum 90-day warranty, and may arrive in a generic box.

From Publishers Weekly
Starred Review. Nigerian-born Jesuit priest Akpan transports the reader into gritty scenes of chaos and fear in his rich debut collection of five long stories set in war-torn Africa. An Ex-mas Feast tells the heartbreaking story of eight-year-old Jigana, a Kenyan boy whose 12-year-old sister, Maisha, works as a prostitute to support her family. Jigana's mother quells the children's hunger by having them sniff glue while they wait for Maisha to earn enough to bring home a holiday meal. In Luxurious Hearses, Jubril, a teenage Muslim, flees the violence in northern Nigeria. Attacked by his own Muslim neighbors, his only way out is on a bus transporting Christians to the south. In Fattening for Gabon, 10-year-old Kotchikpa and his younger sister are sent by their sick parents to live with their uncle, Fofo Kpee, who in turn explains to the children that they are going to live with their prosperous godparents, who, as Kotchikpa pieces together, are actually human traffickers. Akpan's prose is beautiful and his stories are insightful and revealing, made even more harrowing because all the horror—and there is much—is seen through the eyes of children. (June) Read a web-exclusive q&a with Uwem Akpan at www.publishersweekly.com/akpan.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School—With the intensity of Chinua Achebe's Things Fall Apart, Say You're One of Them tells of the horrors faced by young people throughout Africa. Akpan uses five short stories (though at well over 100 pages, both "Luxurious Hearses" and "Fattening for Gabon" are nearly stand-alone novels in their own right) to bring to light topics ranging from selling children in Gabon to the Muslim vs. Christian battles in Ethiopia. The characters face choices that most American high school students will never have to—whether or not to prostitute oneself to provide money for one's homeless family, whether to save oneself, even if it means sacrificing a beloved sibling in the process. The selections are peppered with a mix of English, French, and a variety of African tongues, and some teens may find themselves reading at a slower pace than usual, but the impact of the stories is well worth the effort. The collection offers a multitude of learning opportunities and would be well suited for "Authors not born in the United States" reading and writing assignments. Teens looking for a more upbeat, but still powerful, story may prefer Bryce Courtenay's The Power of One (Random, 1989).—Sarah Krygier, Solano County Library, Fairfield, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Hailed as “a major literary debut” (San Diego Union-Tribune) and “brilliant” (USA Today), Uwem Akpan’s collection Say You’re One of Them fulfills the promise of his 2005 short story, “An Ex-Mas Feast,” in the New Yorker. Without flinching or lecturing, Akpan shares the almost unimaginable horrors that threaten Africa’s most vulnerable children. A Jesuit priest, he also evokes the love, grace, and other spiritual values that can emerge from the fight for survival. Critics universally praised Akpan’s writing, although the New York Times found Akpan’s use of details and individual characters more convincing than his attempts to describe larger issues. This collection will undoubtedly be widely readâ€"not only for its literary merit but also so that readers may better understand a large, complex, and often faceless continent.
Copyright © 2004 Phillips & Nelson Media, Inc.

Most helpful customer reviews

106 of 110 people found the following review helpful.
You will be a different person after you read this book
By BermudaOnion
Say You're One of Them is a book of five short stories written by Uwem Akpan. All of the stories are set in Africa and are told from a child's perspective. They deal with such topics as slavery, religious conflict, genocide and poverty. These are stories of love and sacrifice. They are stories of compassion and confusion. They make you wonder how children can grow up and survive under such circumstances. Some of the stories will leave you feeling numb.

The story that had the biggest impact on me was My Parent's Bedroom. It's the story of Monique, a young girl living in Rwanda with her Tutsi mother and her Hutu father. There is conflict between the two tribes, which Monique and her brother Jean don't understand. It all comes to a horrifying ending for their family when their mother makes the ultimate sacrifice. I can't describe the horror I felt at the end of this story.

I enjoyed Say You're One of Them and think it's a significant book, but I found some of the dialogue very difficult to read. I think it would have been even harder if I didn't know some French. There were times when I had to read sentences several times to extract their meaning. Here's an example of dialogue, chosen at random:

"My mama no be like dat," Jubril argued. "I say I dey come. I go join una now now. Ah ah, no vex now. Come, pollow me go fark dis cows, and I go join."

This book isn't a fast read, but I think it's an important one. The title of the book comes from the fact that children in Africa sometimes have to deny their identity and say they're one of "them" (another tribe or religion) in order to survive. You will be a different person after you've read this book.

98 of 106 people found the following review helpful.
Let's Take Care of Our Children
By Neil and Tracy
Say You're One of Them is a powerful collection of short stories. Told from the perspective of young children, the collection takes us into the brutality of the childrens' lives in Africa. Each story is a slow awakening to unbelievable horrors for both the child and the reader. The first story, An Ex-Mas feast, looks at a poverty-striken family that must rely on their twelve year old daughter's income to survive. She has to prostitute herself for food and money but she is trying to earn enough money so her younger brother can go to school. The children in "Fattening for Gabon" are being prepared for sale into slavery by their uncle. In "What Language Is That?" two little Ethiopian girls are best friends until their parents suddenly say they cannot speak to each other anymore because one is Muslim and the other is Christian. In "Luxurious Hearses", a Nigerian boy from the north is trying to escape to relatives in the south on a bus filled with the same religious animosity that he hopes to escape. The final story, "My Parent's Bedroom", describes the violence between the Rwandan Hutus and Tutsis as seen through the eyes of a young girl who has mixed parentage.

For me, the most powerful story is the last. I will forever hold the powerful images of a toddler playing in his slain mothers blood. Each story is a work of fiction, but is based on real situations that have transpired. In the Afterword, written by a pastor who knows the author, Uwem Akpan, the writer offers his belief that the publication of these stories is a bold attempt to enlighten readers about children of Africa, which in turn may create a passionate desire to create a safer place for children all over the world. After laying down this book, I know I am one of those affected people, and I thank Pastor Akpan for this powerful lesson.

49 of 52 people found the following review helpful.
Art In The Horrific Details
By David Donelson
Stories of abused and battered children in Africa are legion, but few cut as close to the bone as this collection by Uwem Akpan. His five tales, two of which are novella length, are told with the uninhibited, truth-filled voices of the children involved. Each one takes place in a different country but the theme is universal: the biggest challenge faced by children in Africa is staying alive.

Akpan, a Jesuit priest with an MFA in creative writing from the University of Michigan, piles on details available only to one intimately familiar with the lives described. Be forewarned: some of those details are gruesome to the point of causing distress, which I am sure was his intent. The imagery can range from the droll, like the description of the motorbike loaded with five people, various fruits and vegetables, a rooster and five rolls of toilet paper in "Fattening for Gabon," to the most horrific sight a child can see, a parental bloodbath, in "My Parents' Bedroom." This story ends the book and is the source of the title "Say you're one of them," the command given by a desperate Rwandan Tutsi mother to her Hutu-fathered child as machete-wielding killers approach.

Various dialects are used masterfully to both reveal characters and set scenes. The jargon, slang, and foreign phrases may be off-putting to some readers, but little meaning is lost when the dialogue is read in full context. Quite frankly, the only time many readers can bear to imagine events like those in the book is when they take place on foreign shores. We can be sickened and outraged by horrors on another continent; the same happenings across the street from where we live would paralyze us with fright. Fortunately, Akpan's familiarity with African poetry infuses much of the writing, giving the book a lyrical tone that keeps the more violent passages from slipping into slasher-movie territory.

As a person who has photographed and written about Africa extensively, I must confess I was not shocked by Akpan's stories. Unfortunately, tales like them are all too familiar to me. I was deeply moved by his dramatic intensity, however, and highly appreciative of his ability to put the reader inside the children's lives.

Dave Donelson, author of Heart of Diamonds: A Novel of Scandal, Love and Death in the Congo

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Selasa, 25 Maret 2014

^ Get Free Ebook Arthur's Pet Business (An Arthur Adventure), by Marc Brown

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Arthur's Pet Business (An Arthur Adventure), by Marc Brown

Arthur starts his own petsitting business to show Mom and Dad that he can be responsible! But between a boa constrictor, an ant farm, and a group of frogs, he's got his hands full! Can Arthur still prove he can handle a dog of his own?

  • Sales Rank: #58144 in Books
  • Color: Multicolor
  • Brand: Little, Brown Books for Young Readers
  • Published on: 1993-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .13" w x 7.38" l, .24 pounds
  • Binding: Paperback
  • 32 pages
Features
  • Great book!

From School Library Journal
Kindergarten-Grade 3-- Arthur seeks a job taking care of pets to prove he is responsible enough to have a puppy of his own. He is glad that his first job is to mind a dog for a week, even a temperamental one, and he lets Perky sleep in his room. An ant farm and a canary follow--but when sister D. W. finds frogs in the bathtub and a boa in the livingroom, Mother banishes these "pets" to the basement. The reason for some of Perky's fussiness is revealed when, on the day she is to go home, she disappears--and is discovered in Arthur's closet with her new litter of pups. The pleased owner gives one to Arthur in addition to his fee--most of which pesky D. W. claims for a back debt. Arthur, whose appearance continues to evolve from his first aardvark appearance in Arthur's Nose (Joy Street, 1976), is a bit rounder and pinker, and the story a bit thinner, but his many fans will cheer this fourteenth adventure in a popular series. --Ruth M. McConnell, San Antonio Pub . Lib .
Copyright 1990 Reed Business Information, Inc.

About the Author
Marc Brown is the creator of the bestselling Arthur Adventure book series and creative producer of the number-one children's PBS television series, Arthur. He has also created a second book series featuring D.W., Arthur's little sister, as well as numerous other books for children. Marc Brown lives with his family in Tisbury, Martha's Vineyard.

Most helpful customer reviews

6 of 7 people found the following review helpful.
Being Responsible can be Fun !
By A Customer
I am in awe of how Marc Brown has simplified the concept of responsibility, so that it may be
understood by my two year old daughter.

My two year old daughter summed this book up by saying; " Arthur showed his mommy and daddy he can take care of everyone's pets now he can have Pal . In my eyes that says it all !

The author has sucessfully done what was intended . He communicated an important moral concept to a small child , what being responsible is and how doing things morally right can be fun and rewarding.

Keep up the good work Marc Brown you are helping me communicate important moral, social, family, and educational values to my daughter.

Great Books and Characters

3 of 3 people found the following review helpful.
Obvious ommission
By Twyla J. Anderson
The book was 3" x 4." Not a standard size, which one would expect. Not very trustworthy to omit, I'd say.

2 of 2 people found the following review helpful.
Excellent book on responsibility
By A Customer
What child hasn't asked for a pet at some point in their childhood. What an excellent way to teach responsibility. This book shows the parent how to test a child's readiness for responsibilities, while showing the young readers the perils and pitfalls of having one's own pet business, as well as the rewards, and entertaining us all in the meanwhile. Well done. It's also fun to look in all of Marc Brown's books and find the hidden names!

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Minggu, 23 Maret 2014

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Fireworks at Dusk: Paris in the Thirties, by Olivier Bernier

A portrait of Paris during the 1930s. Among the characters featured are some of the best-known names of the period - artists, writers, designers, party-givers and political figures, including Elsa Maxwell, Picasso, Dali, Gide, Cocteau, Schiaparelli and Pierre Laval.

  • Sales Rank: #889208 in Books
  • Published on: 1993-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.50" w x 1.25" l,
  • Binding: Hardcover
  • 320 pages
Features
  • Olivier Bernier
  • Paris
  • History

From Publishers Weekly
In 1930 Paris dazzled as its painters, writers, composers and designers invented modernity. But in 1935, the Great Depression had caught up with the French, Fascists and Communists fought in the streets, and war loomed as Hitler and Mussolini grew more menacing. Bernier ( Words of Fire, Deeds of Blood ) here presents a searching yet marvelously gossipy cultural history of Paris in the '30s--its last brilliant moment as a world capital. Drawing on newspapers, memoirs and eyewitness accounts, he juggles the parallel lives of Picasso, Stravinsky, Cocteau, Gide, Josephine Baker, Elsa Schiaparelli, Max Ernst, Janet Flanner and many others. Bernier offers withering profiles of a succession of incompetent, unscrupulous politicians who contributed to France's failure of will. He shows how the rage for the modern that marked the beginning of the decade gave way to alienation, anguish, befuddlement and a headlong retreat into the past. Photos.
Copyright 1993 Reed Business Information, Inc.

From Library Journal
This is a richly detailed and immensely readable overview of the social, artistic, and political life in Paris during a brilliant decade of extraordinary cultural achievement. Bernier, a prolific author, art historian, and leading authority on French history, juxtaposes the richness and, at times, frivolity of life among the Parisian glitterati with the menacing storm clouds of foreign affairs and the deepening economic and political divisions within France itself. Although the mass of the population was excluded from the social whirl involving Chanel, Schiaparelli, Dali, Picasso, and Gide, and the flowering of the arts contrasted sharply with the increasing incompetence of a government engaged in what the author terms "a dance of the ministries," Bernier argues that the Thirties represented the last brilliant moment for Paris as a world capital of civilization. While his tone is at times condemnatory, he argues that the French took pride in their brilliant social life, seeing it as the one last area where France still led the world. Bernier completes his poignant tale with an epilog on how Parisian life changed with the onset of war. Highly recommended.
- Marie Marmo Mullaney, Caldwell Coll., N.J.
Copyright 1993 Reed Business Information, Inc.

From Kirkus Reviews
An informed and fascinating survey of Paris's hectic decade before the Nazi occupation, highlighting the contrast between the glittering culture and the collapsing civilization. Bernier (Words of Fire, Deeds of Blood, 1989, etc.) takes on the challenging task of sorting out the threads of the confusing political, social, economic, and aesthetic fabric of a society that in some ways was at its peak and, in others, was near dissolution. The title refers to ``the last great assertion of European (and French) cultural and social superiority''--an excellence in fashion (Schiaparelli), art (Picasso, Mir¢, Dali), literature (Gide, Malraux), and diplomacy (Elsa Maxwell and US Ambassador William Bullitt). But Paris, the most powerful cultural center in Europe, enjoying a peace and prosperity that were rapidly disappearing in other parts of the world, also offered a special style of life, glamorous and pleasure-oriented--a society of costume balls, nightclubs, theaters, opera; a world of display and innovation that included everything from autos to yo-yos. The ``other Paris'' of the music hall (Josephine Baker and Maurice Chevalier), brothels, and sidewalk caf‚s was equally festive, providing escape from the poverty, alienation, unemployment, class conflict, and political despair that afflicted the masses. Those who cared periodically but ineffectually rioted over the political corruption, while an inept government became an easy target for the Nazis, with whom some French aristocrats had been socializing. Poignant and incisive, Bernier, with a journalist's eye for meaningful detail, captures this confused era when the City of Light, at its brightest, was overcome by a political darkness from which it never recovered. (Thirty b&w photographs--not seen.) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Dazzling cutural celebrity meets political mediocrity
By Paul A. Myers
This book, published in 1993, by art critic and French historian Olivier Bernier is a superb mix of the cultural and political history of France and life in Paris during the 1930s. This was when Parisian culture was burning at its brightest just before its extinguishment in the crushing German defeat of June 1940. For someone like me writing novels set in Paris in the 1930s, the book is gold dust. The entire cavalcade of artists, writers, dress designers, and aristocratic celebrities is portrayed in their comedy of manners with the doomed politicians of the Third Republic, an entire glittering society is sleepwalking to its rendezvous with defeat.

Bernier has a great command of the material and is not afraid to express judgements. President Lebrun is a hopeless mediocrity; Edouard Herriott, the great Radical Socialist politician, is hopelessly inept at the central economic questions facing France during the Depression, Edouard Daladier is fatally indecisive in the face of the big questions facing France at the end of the 1930s. The profiles are highlighted with colorful anecdotes involving women that are not these politicians' wives! Paris was one of the first capitals where political and cultural celebrity intersected.

Sharp profiles of the cultural personalities are also made with Bernier's great self-assurance as a critic. Jean Cocteau's limitations are described as "the curse was an irradicable frivolity" and that he "led a life of relentless chic." He comes across as an earlier version of Truman Capote. Interestingly, Bernier takes dead-eye aim at Andre Malraux, describing him as "a living paradox" and attributing his cultural presence "to his extraordinary eloquence. In a city of talkers, Malraux was famous for the brilliance and uninterruptible abundance of his conversation." He sums him up, "Malraux knew how to dazzle; but behind the torrent of glittering words, the thought was often simplistic or plain silly--his later books on art offer abundant proof of that." Ouch! Bernier gives Malraux credit for his novels of political involvement that went far to define the cultural melieu of the 1930s.

The book is an excellent companion to Alan Riding's book about Paris under the German Occupation "And The Show Went On." Both books will be subject to further blog essays (myersbooksparis)because the relevance of the themes they deal with are so germane to understanding the 1930s and today. Superbly executed, fascinating to read.

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Sabtu, 22 Maret 2014

!! Ebook Free President of the Whole Fifth Grade, by Sherri Winston

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President of the Whole Fifth Grade, by Sherri Winston

Start counting your votes . . . and your friends.
When Brianna Justice's hero, the famous celebrity chef Miss Delicious, speaks at her school and traces her own success back to being president of her fifth grade class, Brianna determines she must do the same. She just knows that becoming president of her class is the first step toward her own cupcake-baking empire!

But when new student Jasmine Moon announces she is also running for president, Brianna learns that she may have more competition than she expected. Will Brianna be able to stick to her plan of working with her friends to win the election fairly? Or will she jump at the opportunity to steal votes from Jasmine by revealing an embarrassing secret?

This hilarious, heartfelt novel will appeal to any reader with big dreams, and the determination to achieve them.

  • Sales Rank: #9340 in Books
  • Published on: 2012-10-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x .75" w x 5.25" l, .50 pounds
  • Binding: Paperback
  • 288 pages

From School Library Journal
Gr 4-5–Brianna Justice is good at setting goals and knows what she wants for her future: to become fifth-grade class president and eventually be rich and famous with her own cupcake business and cooking show. She's sure the former is the path to the latter and has been planning her election strategy all summer. When unscrupulous newcomer Jasmine runs against her, the competition takes an ugly turn with both girls trying underhand tricks in order to win. The story begins to resemble a Mean Girls of elementary school as Brianna makes one bad decision after another, turning into a rather unlikable character and nearly losing her friends in the process. She learns from her mistakes, however, and is able to turn both her friendships and the election around. The story will resonate with preteens navigating the ups, downs, and drama that come with the territory of many young girls' friendships.–Kelly Roth, Bartow County Public Library, Cartersville, GA. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Review
"There is definite tween appeal in the on-again/off-again friendship dynamics...[readers] will cheer for Brianna's political and personal victories."―The Bulletin

"[This] sweet confection for middle-graders....will be a hit with readers who like Wendy Mass and Lauren Myracle."―Booklist

"The story will resonate with preteens navigating the ups, downs, and drama that come with the territory of many young girls' friendships."―School Library Journal

About the Author
Sherri Winston is the author of President of the Whole Fifth Grade, President of the Whole Sixth Grade (an Indie Next Pick), The Sweetest Sound, and The Kayla Chronicles. She lives in Orlando, Florida, with her family.

Most helpful customer reviews

18 of 19 people found the following review helpful.
#WeNeedDiverseBooks
By Roy L. Pickering
There is plenty in this book that I found to like. It features an ambitious African American girl who sets no limitations on her future. Those ambitions are not superficial things like being a movie star or pop star, or hoping to marry her favorite movie/pop star. Not only does she have serious entrepreneurial aspirations but also practical plans for how to begin moving towards them. It starts with becoming President of her grade at school. Enter a conniving rival who is willing to stoop as low as necessary to throw a monkey wrench in these plans. Enter an ally who encourages her to put ambition ahead of ethics. Eventually Brianna learns that ambition is as noble as the path one takes to to make their dreams come true. If success comes at the expense of losing loyal friends and losing respect for yourself, can it be considered true success? I applaud the message of this story but feel that the execution could have been a little tighter. There was also one too many easily found "deep dark secrets" lying around for convenient plot machination. I'm not the intended audience of this book though. My 8 year old daughter loved it from beginning to end. There's much to be said for satisfying your target reader above and beyond anyone else.

14 of 15 people found the following review helpful.
LOVED IT!
By MrsS
I bought this for my niece who is in the 5th grade. I read it first just to be on the safe side. It is well written and well researched. Enjoyable reading.

8 of 8 people found the following review helpful.
My class book club
By Itishia Hunt
Me and two of my friends (Natalia and Sarah) decided to use this book for our book club because we're in the fifth grade like Brianna. We wanted to experience her fifth grade year to see if we could have a race for president of the whole fifth grade but unfortunately we can't because student council already has president of the whole elementary and that person has to be in fifth grade. So since we couldn't have a race I cheered Brianna on through out her battle against Jasmine moon . And as long as Brianna competed she never gave up on her winning against Jasmine moon and she always had the courage to do what others wouldn't. So that's why I LOVE this book soo much! The author who wrote this book is one smart woman and I LOVE her work. She is the most inspiring author I have ever liked. She's #1 and so is another fantastic writer named Meg Cabot and they are my inspiration to read more and more books by them and famous authors. THIS IS THE BEST BOOK EVEZ! :) #1 I LOVE IT!

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!! Ebook The Evolution of God (Back Bay Readers' Pick), by Robert Wright

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The Evolution of God (Back Bay Readers' Pick), by Robert Wright

In this sweeping, dazzling journey through history, Robert Wright unveils a discovery of crucial importance to the present moment: there is a pattern in the evolution Judaism, Christianity, and Islam, and a "hidden code" in their scriptures. Through the prisms of archeology, theology, anthropology, and evolutionary psychology, Wright repeatedly overturns conventional wisdom to show how and why religion can strengthen the social order-even in an age of globalization-and explains why modern science is not only compatible with religion, but actively affirms the validity of the religious quest.

Vast in scope and thrilling in ambition, The Evolution of God brilliantly alters our understanding of God and where He came from-and where He and we are going next.

  • Sales Rank: #56034 in Books
  • Published on: 2010-05-03
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.50" w x 5.38" l, 1.12 pounds
  • Binding: Paperback
  • 592 pages

From Publishers Weekly
In his illuminating book, The Moral Animal, Wright introduced evolutionary psychology and examined the ways that the morality of individuals might be hard-wired by nature rather than influenced by culture. With this book, he expands upon that work, turning now to explore how religion came to define larger and larger groups of people as part of the circle of moral consideration. Using a naïve and antiquated approach to the sociology and anthropology of religion, Wright expends far too great an effort covering well-trod territory concerning the development of religions from primitive hunter-gatherer stages to monotheism. He finds in this evolution of religion, however, that the great monotheistic (he calls them Abrahamic, a term not favored by many religion scholars) religions—Christianity, Islam, Judaism—all contain a code for the salvation of the world. Using game theory, he encourages individuals in these three faiths to embrace a non–zero-sum relationship to other religions, seeing their fortunes as positively correlated and interdependent and then acting with tolerance toward other religions. Regrettably, Wright's lively writing unveils little that is genuinely new or insightful about religion. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
Straddling popular science, ancient history, and theology, this ambitious work sets out to resolve not only the clash of civilizations between the Judeo-Christian West and the Muslim world but also the clash between science and religion. Tracking the continual transformation of faith from the Stone Age to the Information Age, Wright, a self-described materialist, best known for his work on evolutionary psychology, free trade, and game theory, postulates that religious world views are becoming more open, compassionate, and synthesized. Occasionally, his prescriptions can seem obvious—for instance, that members of the different Abrahamic faiths should think of their religions as “having been involved, all along, in the same undertaking.” But his core argument, that religion is getting “better” with each passing aeon, is enthralling.
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From Bookmarks Magazine
An articulate writer with a spry sense of humor, Wright offers an optimistic vision of the future of humanity. Avoiding any hint of the sermon, Wright's line of reasoning tends to straddle the middle ground of belief, "too open to theism for the [atheists and] too rooted in scientific rationalism for the [fundamentalists]" (Boston Globe). A few critics lamented his focus on Western religions and his insistence that monotheism is naturally superior to other types of belief systems, and the Wall Street Journal thought he relied too heavily on speculation in his review of prehistoric civilizations. However, despite these objections, all reviewers agreed that Wright's analysis of cultural trends and their effects on our understanding of God are thought-provoking and encouraging.

Most helpful customer reviews

429 of 469 people found the following review helpful.
Well-Researched, Judicious, and Enlightening
By John W. Loftus
This new book from acclaimed author Robert Wright is a well-researched one covering a great deal of territory. It should be read in its entirety to be properly understood. In it he discusses the history of religion with a focus on western Abrahamic faiths, although not entirely neglecting eastern religions. He tells us in the Introduction that he's giving us a human "materialistic" account of it, although he thinks doing so "actually affirms the validity of a religious worldview," though not a traditionalist one, but one nonetheless. Wright argues the gods arose as illusions and that "the subsequent history of the idea of god is...the evolution of an illusion." This evolution points to the existence of a "divinity," he argues, even though this god is not one that most believers currently accept. As it evolved it has "moved closer to plausibility." (p.4).

Wright begins with the five types of primitive hunter-gatherer supernatural beings: elemental spirits, puppeteers, organic spirits, ancestral spirits, and the high gods. These primitive gods were not always worshipped but treated as we would treat other human beings. In these societies the Shaman was the "first step toward an archbishop or ayatollah" who had contact with these otherwise hidden forces and could help focus their powers to heal, protect, and provide.

As small tribes grew into larger societies the chiefdom was the next evolutionary stage where there was a need for a "structural reliance on the supernatural." Chiefs in these agricultural societies were conduits through which divine power entered the social scale down to the lesser folk. If things went well for a society then the chief was doing a good job. Superstition reigned in these days.

With the arrival of the city-states, kings needed divine legitimization and used the gods to solidify their rule over the people. The king was now the conduit of divine power. The character of the gods could differ between city-states, but many of them demanded human sacrifices or else there was chaos. Along with this development came moral obligations, which if they were not met caused sickness and death. In these city-states there was competition between rival cities and along with them rival gods. This had a tendency for these polytheistic people to elevate their god above others, which was a step toward monotheism.

When Wright turns to a discussion of the emergence of Abrahamic monotheism it appears to me he is at his very best. In decoding the biblical texts from how we normally read them beginning with Genesis, he finds good evidence that behind what we see on the surface is a different story of Yahweh who was just one god in a pantheon of early gods. Yahweh starts out with a body, for instance, and was given the people of Israel to rule over by Elyon, the highest god in the pantheon. Originally Yahweh was probably one of the Canaanite deities, he argues. When it comes to the Israelites themselves, Wright argues from archeological evidence that they look more and more like Canaanites who originally worshipped Baal and Asherah, rather than some people who invaded Palestine after leaving Egypt.

In a fascinating discussion Wright argues that this Hebrew god evolved into a monolatry, which was a "way station on the road to full-fledge monotheism." Monolatry didn't deny the existence of other gods, it just affirmed that Yahweh was the highest of those gods in the pantheon. This was achieved mostly by King Josiah, who sought to solidify his reign and centralize worship in Jerusalem. Josiah even had his reforms written in much of the book of Deuteronomy.

When Judah was carried away into captivity by the Babylonians the exiled Jewish theologians made the most of their disaster. Based on good reasoning and scholarship Wright shows how they thought about such a complete and utter disaster and why they came to the conclusion that Yahweh was the one and only God. If it was Yahweh's will to bring the mightiest empire of their day to so utterly destroy them for their sins, as they did, then Yahweh was bigger than they had ever thought. "A god who governs the actions of the greatest known empire is a god who can govern history itself." (p. 171).

But this God of theirs was not yet thought of as a good God. That was the next evolutionary stage to take place, and Wright sees this coming from the writings of Philo of Alexandria, who urged a tolerance for other gods at about the same time Jesus was preaching.

But even Jesus did not think of his God as a loving God, Wright argues. In Mark's first gospel Jesus is portrayed as one who "believes you should love your neighbors, but that isn't to be confused with loving all humankind. He believes you should love God, but there's no mention of God loving you." (p. 258).

The Apostle Paul, however, is described by Wright as the "apostle of love," not only because he penned I Corinthians 13, known as the "Chapter of Love," but also from other things he wrote. It was Paul's version of Christianity that eventually won the day in Constantine's multiethnic empire because it favored ethnic harmony, Wright argues.

Wright sees the same evolutionary trend in Islam. First Allah "transcended tribal distinctions," as Yahweh did before him. Then he acquired the "multinational perspective of an empire," even to the point when in places the Koran grants the possibility of salvation to people "outside the fold." (p. 436)

Wright concludes that in our day "we've reached a stage in history where the movement toward moral truth has to become globally momentous." In short, God has some "some growing to do," (p. 436), and Wright seems confident this will happen, given what he wrote in his previous book, Nonzero: The Logic of Human Destiny. Whether he can be this optimistic depends on the case he made there.

In the end, traditionalists will not like this book, and he admits this. Wright's god seems to be an abstract god as "the source of the moral order" (p. 446), and in such a belief he finds his god, although he holds out hope this god is also a personal one.

Other thinkers have argued God will become unnecessary and will evolve out of existence in the human mind, but whether or not that will happen is yet to be seen. In any case this is a judicious treatment that will surely provoke controversy. It's also enlightening. Hopefully his book will contribute to the ongoing evolution of the idea of God. And maybe it'll contribute to his evolution out of existence, too.

-----------
I'm the author of "Why I Became an Atheist," and the edited book, "The Christian Delusion."

169 of 184 people found the following review helpful.
Can Wright be wrong?
By Jay C. Smith
The Evolution of God
In 2000 Robert Wright published Nonzero: The Logic of Human Destiny to some acclaim. In it he argued that there is a favorable direction to human history attributable to increasing opportunities for non-zero-sum interaction where both parties gain something, versus zero-sum situations where one party may gain, but only at the expense of the other. Social structures grow to take advantage of these situations, he contended, and build incrementally toward supranational governance. He concluded that "...it is hard, after pondering the full sweep of history, to resist the conclusion that -- in some important ways, at least -- the world now stands at its moral zenith to date."

Now comes The Evolution of God, where Wright further elaborates his contention that moral progress is ingrained in the course of history. In it Wright offers a materialist analysis of changing portrayals of gods and God, sure to aggravate conventional believers of many faiths. But he also asserts that history shows there might be something like a God force behind moral improvement, a position that many religious skeptics are likely to reject.

Wright's thesis entails three basic propositions. The first is that God evolves. By this Wright means not an actual God, whom he generally treats as illusory, but rather peoples' conceptions of gods and God. The "evolution" he writes about is mostly cultural evolution, although he includes an appendix on the possible biological roots of religion.

The bulk of the book is devoted to his tracing the history of gods from hunter-gatherer societies through chiefdoms, polytheistic kingdoms, the evolution of monolatry and monotheism, and then the scriptural presentation of God in Judaism, Christianity, and Islam. Wright is interested mainly in how gods may have felt about cultural outsiders, about "others" not part of one's own group. He emphasizes how gods have alternated between coaxing their followers to destroy designated others and urging accommodation and acceptance of people with different beliefs.

Wright proposes that whether gods were seen as belligerent toward out-groups or not often depended on the political needs of societal leaders at the time. When leaders perceived zero-sum conflict situations in relations with other groups it was useful to have one's own gods offer some encouragement to rally the troops. But if there were non-zero-sum opportunities in possible alliances, say through trade or military coalitions, then it became useful to be more ecumenical, to accept to some degree others' gods as well as one's own. For instance, one way of accommodating polytheistic gods when political coalitions were built was to make them into a clan of gods, related to each other.

His historical analysis of the cultural evolution is not as strong as it could be, not least because he leaves out a big chunk of time. While he relies on relatively modern evidence from hunter-gatherer and chiefdom societies, draws on certain contemporary events, and offers limited comments on the intervening centuries, he focuses mostly on the developmental period preceding about 700 AD. After Constantine, for instance, we hear very little of how the evolution of God may have played out in Christianity through the administration of churches and states.

Wright's second basic proposition is that there is a moral trajectory in history, expanding opportunities to realize the good. "The march of history challenges people to expand their range of sympathy and understanding, to enlarge their moral imaginations, to share the perspective of people ever farther away," he claims. He concedes that it is not inevitable that we will get closer to moral truth, but he believes that growing non-zero-sumness is forcing us to face up to it or to otherwise descend into chaos.

He allows that there has not been simple linear progress, but contends that there has been an advance through fits and starts, some forward, some backward. Yet since again he barely skims the past 1300 years, his assertion that history demonstrates moral progress remains highly questionable, unproven at best.

Wright's third basic proposition relies on the first two. He says that if there is a moral order (Proposition #2) and if conceptions of God have evolved to support it (Proposition #1), it does not necessarily mean there is a God; but, he asserts, these conditions are evidence in favor of the God hypothesis (Proposition #3).

Even if gods arose from illusions, he suggests, the evolution of the illusions "points to the existence of something you can meaningfully call divinity." He is not arguing the God hypothesis is true -- he is merely offering it up for consideration as plausible.

Wright's reasoning is dubious. From his questionable assertion that there has been moral progress it is a big leap to claim, as he does, that it reflects a purposeful historical goal. Patterns do not necessarily imply purposes. And only after he has smuggled in the idea of purposeful history is it possible for him to speak of a source of the purpose. A "purpose" by its very nature has an agent, some sentient entity capable of intent, at least in our common understanding. Where we see purposes we see agents, just as Wright does here. There are further flaws in his logic, including reliance on a false analogy between propositions about God as the source of moral order and physicists' postulation of electrons to help explain the behavior of matter.

So Wright's conclusion that the evolution of the concept of God and moral progress in history constitute evidence for the God hypothesis is unconvincing. Nevertheless, The Evolution of God is likely to sell well, and perhaps it should. Certainly the title and subject matter are fashionable, in both their evolution and God dimensions. Wright deserves credit for the ambition of this work, for its sweep and boldness. The Evolution of God will make readers think, if only to marshal their responses to the parts where they believe Wright is wrong.

0 of 0 people found the following review helpful.
Excellent history book
By Amazon Customer
Excellent and concise book about the evolution of God or gods from various cultures starting from the very earliest hunter and gather clans. Very compelling the arguments that the Abrahamic regions started out as polytheistic, moved to a form of monalitry and onto monotheism for political reasons.

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Kamis, 20 Maret 2014

^ Fee Download The Gift of Nothing, by Patrick McDonnell

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The Gift of Nothing, by Patrick McDonnell

Mooch the cat desperately wants to find a gift for his friend - Earl the dog. He wonders what he can buy the dog who has everything and decides that the answer, of course, is nothing. This simple story features characters from the Mutts comic strips and is the first book for children.

  • Sales Rank: #43677 in Books
  • Brand: Little, Brown Books for Young Readers
  • Published on: 2005-10-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .50" w x 7.00" l, .59 pounds
  • Binding: Hardcover
  • 56 pages

From Publishers Weekly
Starred Review. The stars of the Mutts comic strip, Mooch the cat and his canine friend, Earl, break out of the Sunday funnies into the picture book world. McDonnell applies his spare style, sketching his cheeky characters with only a few deliberate lines. Each has a distinctive feature—Mooch's red ellipse-shaped nose, Earl's Princess Leia ears—that makes them instantly endearing. With plain backgrounds, a limited palette and a small square trim size, the book looks like a blown-up cartoon strip (even the pages have a newspaper-like grittiness). But the story has more depth than the minimalist visuals would suggest. Here, Mooch searches for the perfect gift for Earl. "What do you get someone who has everything?" he wonders. (Earl is the proud owner of a bowl, bed and chewy toy.) Mooch mulls it over (red and black dots and bubbles indicate his deep thinking) and comes up with "Nothing! He would give Earl the gift of nothing." But where to find nothing? Mooch tries shopping (because "Millie came home from the store and said, 'There was nothing to buy!' "). But alas, "nothing was not for sale." How he solves the problem is pure delight, reminding young readers that the greatest gift is friendship, not things. Both Mutts fans and newcomers will appreciate McDonnell's clever wordplay and lovable characters, who prove that nothing can be everything. All ages.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Grade 1-4–This story features characters from McDonnell's comic strip Mutts. Mooch (a cat) wants to give Earl (a dog) a gift, but he already has a bowl, a bed, and even a chewy toy. In fact, he [has] it ALL. In a flash of inspiration, Mooch decides to give him nothing, and sets out to find it. Though the kids say there is nothing to do, they always seem to be doing something. And even though Millie says there [is] nothing to buy, Mooch finds plenty in the stores. In the end, he wraps a big box with nothing in it and presents it to his friend. There's nothing here, says Earl. Nothing…but me and you, Mooch replies. And that's the point. The text is minimal and the small cartoon drawings are executed in black and white with touches of red and surrounded by plenty of white space. As Mooch ponders over his dilemma, he is engulfed by question marks. The picture of the two friends sitting wrapped paw-in-paw as they enjoy nothing and everything is charming. A fine vehicle for a one-on-one discussion of the meaning of friendship and gift-giving.–Marianne Saccardi, Norwalk Community College, CT
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
'Mutts is one of the best comic strips of all time' - Charles Schulz (Peanuts) 'Smart, funny, brilliantly drawn and full of heart' - Matt Groening (The Simpsons)

Most helpful customer reviews

29 of 30 people found the following review helpful.
Friendly and Fun
By zoomer
weather you love Mutts, or never read it (like me) you will enjoy this book.

As a mom whose child became known as "the kid who has everything" (thanks to his grandma) even I myself have found it hard to pick out presents for him. this will be a christmas gift for my son, and I will ask his grandma to read it too him. This book is simple and cute with a great moral of how friendship is more important, that its the thought that counts, but it is done in a delightful way. This book had me laughing out loud when I read it and is a must by to gently remind kids to appreciate what they have

48 of 53 people found the following review helpful.
Spare, lovely, moving as a classic fable
By Martha H. Garvey
Whether you're a kid or an adult, or a dog or a cat, or a fan of "Mutts" or a newcomer, this book is going to grab you. What do you give your favorite dog pal when he has everything? Nothing. The cat's journey to find nothing reads to this child in an adult's body as both one of those funny Zen koan adventures...and a heartfelt exploration of friendship. McDonnell's color palate is especially interesting...he sticks to a simple combination of black and white and red, which makes the story all the stronger. Mutts, YESH!

16 of 16 people found the following review helpful.
Another must have ''CLASSIC" for both children and adults
By T Yuan
The author may have gotten some tips from those classic MasterCard commercials which illustrate that money can buy some things, but certain moments and life experiences are "priceless."

Through the beautifully and simply illustrated tale of friendship between a cat and a dog (the interspecies metaphor alludes to openness and acceptance of differing points of view and experiences), we learn that material possessions and tangible items are sometimes not as meaningful as the space between two individuals, people, living beings, etc. It is the unspoken, uncategorizable, sublime moments of life that are most fulfilling and rewarding, and the hardest to capture or describe. Therefore, when trying to convey the depth of meaning of these moments, we cannot, and therefore, should not even bother trying (to encapsulate them, try as we may through photographs, video, blogging, etc.). The best gift is one that one already has the power to give oneself--the gift of friendship, self-awareness/mindfulness and the ability to honor and nurture the two.

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* Get Free Ebook Peep, Peep, I Love You! (Padded Cloth Covers with Lift-the-Flaps), by Sandra Magsamen

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Peep, Peep, I Love You! (Padded Cloth Covers with Lift-the-Flaps), by Sandra Magsamen

Readers will meet all the mommy and baby animals on the farm in this adorable board book, featuring five sturdy lift-the-flaps and a puffy cloth shape on the cover. Parents can teach their little ones each animal sound as they read out loud.
This adorable addition to the "Made with Love" series reminds little ones how much they are cherished through Sandra Magsamen's signature heartfelt text and cozy hand-stitched illustration style.

  • Sales Rank: #515800 in Books
  • Published on: 2012-02-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x 1.00" w x 7.50" l, .60 pounds
  • Binding: Board book
  • 10 pages

About the Author
Sandra Magsamen is an artist, mom, author of Living Artfully, and creator of the Messages From The Heart brand. She designs gifts and ideas that encourage us to live with heart. Sandra Magsamen lives artfully with her family in the Maryland town where she grew up. You can visit her at her website, www.sandramagsamen.com.

Most helpful customer reviews

5 of 5 people found the following review helpful.
The PERFECT baby/toddler book!
By Anna
As an avid reader and writer, I have to say this is the perfect baby book. This was one of the first books I bought for my son as a newborn, and even though he is now 2 years old, it is still one that we read regularly. It is simple enough that it could hold his attention from a very young age, yet it has taught him so many skills and has grown with him. Probably best of all, it is not boring! (And that's saying a lot when you're the parent that has to read a book over and over and over again!) It is simply adorable, and the ending always puts a smile on both of our faces.

The ability of a book to be interactive is extremely important when reading to a baby or toddler, and Magsamen executes it perfectly with this book. Each page features a mommy animal, and when you lift the flap you find the matching baby animal (or animals). When my son was young, I lifted the flaps for him, resulting in many smiles. Now that he is older, he loves to lift them himself. The flaps are made of card stock, so they can bend, but I have found that they are secure to the page, and are fairly sturdy so they have held up well. The front cover also features a squishy fabric Easter basket, perfect for touch-and-feel tactile stimulation.

The adorable artwork throughout this book (animals that look like they have been "stitched" to the page) is positively delightful. Furthermore, the pages include enough detail to stimulate discussions between my son and I (or stretching the words of the book before he could talk) but they are not too busy to be overstimulating. You can discuss the sounds the animals make, or the food the animals eat, or the concept of mother and baby. There is so much to talk about while reading this book, even though it is very simple. If I could describe it in one word, it would be "rich." Reading this book taught my son his first animal noises. His first "word" was actually "Moo!"

This book is even great for introducing your child to pretend play. I began pretending to "feed" my son the vegetables on each page. When he was only a few months old, he was confused, thinking I was actually going to something in his mouth. But as he got older, he began to pretend to "eat" the vegetables himself, and even share some with me!

The little rhyme at the end of the book is always our favorite part: "There are many mommies and babies on the farm, it's true. But my favorite baby in the world is..." Lift the barn flap to find the word "You!" This ending fosters so much positive interaction between parent and child, and really is a great way to end the day letting your child know he or she is loved.

As you can see, I have so many good things to say about this book. It may be my favorite children's book in the world. Who knew. Reading is such an important part of a baby's daily routine. If you're having trouble finding books you want to read to your baby or toddler, pick up this book. You'll be glad you did.

2 of 2 people found the following review helpful.
Great Book
By C. Miller
We received this book as a gift at Easter. The book has chicks and an Easter basket on the front, so it looks like an Easter book. However, it really isn't. It is more of a Mommy & babies book. It goes through the various animals. It states what the mommy/baby version is (cows/calves, sheep/lambs, hens/chicks, pigs/piglets) and what sounds they make (moo, baa, peep, oink). The last page is cute. It says "there are many mommies and babies on the farm, its true. But my favorite baby is the world is....(lift flap) You! It is one of my favorites to read to the babies. They seem to like it too.

4 of 4 people found the following review helpful.
Cute Easter basket book!
By Lindsey Glass
Very cute!!

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