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Deadline, by Mira Grant
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Shaun Mason is a man without a mission. Not even running the news organization he built with his sister has the same urgency as it used to. Playing with dead things just doesn't seem as fun when you've lost as much as he has.
But when a CDC researcher fakes her own death and appears on his doorstep with a ravenous pack of zombies in tow, Shaun has a newfound interest in life. Because she brings news-he may have put down the monster who attacked them, but the conspiracy is far from dead.
Now, Shaun hits the road to find what truth can be found at the end of a shotgun.
Newsflesh FeedDeadlineBlackout
For more from Mira Grant, check out:
ParasitologyParasiteSymbiont Chimera
Newsflesh Short FictionApocalypse Scenario #683: The BoxCountdownSan Diego 2014: The Last Stand of the California BrowncoatsHow Green This Land, How Blue This SeaThe Day the Dead Came to Show and TellPlease Do Not Taunt the Octopus
- Sales Rank: #101401 in Books
- Published on: 2011-06-01
- Original language: English
- Number of items: 1
- Dimensions: 7.75" h x 1.50" w x 4.25" l, .72 pounds
- Binding: Mass Market Paperback
- 624 pages
From Publishers Weekly
Starred Review. Grant (pseudonymous urban fantasy author Seanan McGuire) continues her postapocalyptic zombie series with this adrenaline-packed, quick-witted tale of medicine and mayhem. It's 2041, a year after Shaun Mason's sister and co-blogger, Georgia, became infected with the zombie virus (in 2010's Feed). After nearly three decades of rampant zombiism, procedures and protocols have evolved to keep humans safe, constrained, and scared. As Shaun struggles to cope with Georgia's death, a doctor from the Centers for Disease Control sets the After the End Times blogging crew to investigating a conspiracy around people with a reservoir condition—a state in which the virus goes live in just one area of the body—and the high death rate among reputable scientists trying to study them. Deft cultural touches, intriguing science, and amped-up action will delight Grant's numerous fans. (June)
Review
"Astonishing ... a fascinating exploration of the future."―New York Times
"While there's plenty of zombie mayhem, political snark, and pointedly funny observations here, the heart of this book is about human relationships, which are still the most important thing in the world...even in a world where you might have to shoot the person you love most in the head, just to stop them from biting off your face."―Locus on Feed
"Feed is a proper thriller with zombies. Grant doesn't get carried away with describing her world or the virus. She's clearly thought both out brilliantly, but she doesn't let it get in the way of a taut, well-written story."―SFX on Feed
"The story starts with a bang as corruption, mystery, danger and excitement abound."―RT Book Reviews (4.5 stars) on Feed
"Gripping, thrilling, and brutal... Shunning misogynistic horror tropes in favor of genuine drama and pure creepiness, McGuire has crafted a masterpiece of suspense with engaging, appealing characters who conduct a soul-shredding examination of what's true and what's reported."―Publishers Weekly (Starred Review) on Feed
"Intelligent and intense, a thinking-person's post-apocalyptic zombie thriller set in a fully-realized future that is both fascinating and horrifying to behold."―John Joseph Adams on Feed
"I can't wait for the next book."―N.K. Jemisin on Feed
"It's a novel with as much brains as heart, and both are filling and delicious."―The A. V. Club on Feed
"OK, all of you readers who want something weighty and yet light, campy and yet smart, horror with heart, a summer beach read that will stay in your head and whisper to you "what if," Deadline is just what you are looking for."―RT Book Reviews on Deadline
"Deft cultural touches, intriguing science, and amped-up action will delight Grant's numerous fans."―Publishers Weekly (starred review) on Deadline
"Intelligent and exciting...raises the bar for the genre."―Telegraph on Deadline
"Wry and entertaining."―NPR Books on Blackout
About the Author
Mira Grant lives in California, sleeps with a machete under her bed, and highly suggests you do the same. Mira Grant is the pseudonym of Seanan McGuire -- winner of the 2010 John W. Campbell Award for best new writer. Find out more about the author at www.miragrant.com or follow her on twitter @seananmcguire.
Most helpful customer reviews
134 of 149 people found the following review helpful.
Not really a zombie book...
By Labrynth
Feed depicts the life of three twenty somethings a few decades in the future where things have gone wrong. Very wrong. Typical media is in the minority and internet media and blogging are where it's at. Our bloggers end up following a Presidential hopeful on his campaign trail and find out that some people would rather keep the world as is than move it past the catastrophe that happened. With one turn after another they figure out a conspiracy that's bigger than they anticipate.
That's the good.
Here's the bad.
If you were looking for a zombie book, this isn't it. This is a political thriller with some zombie information thrown in on the side. The concept of how the zombies got here is discussed, a lot, and is solid. However, you could easily replace the zombie with almost anything else: HIV, Anthrax, Ebola, etc and get the same result. The zombies aren't needed and are a mere side note, which left me disappointed.
Half of this book reads like a solid thriller. The other half tho, reads like a freaking technical manual. I can't count the number of blood tests they take. But it gets described over and over and over and over and over again. To the point that, as a medic, I have to raise the B.S. flag because there's no way their skin would take that much sticking. Not to mention the increased risk of infection due to the multiple sticks. Multiple needles, multiple times a day. That's more than even your worst diabetic does and they will tell you how much it sucks. Also, how many times do I need to know the exact number of cameras any one person has on them at any given time? Apparently it's a lot. In all honesty, you could have cut out about half the pages if we hadn't been given these details ad nauseum. And there's a lot of repetition on the details. yes, we know Shaun only calls her by her full name when it's bad. Because we've already been told a half down times by 50%.
And finally, I know they're supposed to be brother and sister, which is why it seems a bit creepy I guess. I would have settled for best friends or something, but as siblings their relationship is enough to make you cringe a bit with a "So that's how they do it in THAT family" kind of feeling.
I almost gave this two stars, but I gave the benefit of the doubt because parts of it ARE very strong. If you enjoy tech and political thrillers, you'll probably going to enjoy Feed. If you want a zombie book, you might want to pass.
58 of 67 people found the following review helpful.
Outstanding
By Mark L. Bernstein
There are zombies. There's some gore, though not as much as you might think. And yes, some people (and animals) die in highly unpleasant ways. Still, I don't think of Feed by Mira Grant as a horror novel. It's science fiction in both the extrapolative and speculative sense, and a fine example of both.
A little term definition is in order here. Extrapolative and speculative SF have sometimes been referred to, respectively, as the "if this goes on" and "what if" types of science fiction. An extrapolative story looks at our world as it is today, examines current trends, and makes educated guesses as to what will happen next. A speculative story posits one Big Change, and explores how that change will affect the rest of the world.
In Feed, that Big Change is the Kellis-Amberlee virus, an engineered and mutated plague with the nasty habit of animating the corpses of those it infects, and using the time before the body collapses completely to a) feed, and b) spread the infection. Hence, zombies. In the Feed timeline, the first spread of Kellis-Amberlee, and the Rising that followed, occurred in 2014. It's now 2039, and the world is, as you might expect, a very different place. It's a world where the CDC carries the highest level of governmental authority, a world where Alaska has been abandoned, and a world where a bullet to the brain is far, far preferable to death by natural causes, and everyone knows it.
The extrapolation? That comes from the protagonists, Georgia and Shaun Mason. They're a brother and sister team of bloggers, and bloggers have become the primary source of news and information for the majority of the remaining population. We see how online news gathering and reporting (among other things) has come fully of age, with a feel for how people and organizations pursue ratings and status, and how those organizations function. We also see the technology used, though for my taste the advances shown there were actually on the conservative side.
The structure on which all this extrapolation and speculation is built is the 2040 United States Presidential race. Senator Ryman, a Republican candidate, invites the Masons to travel with and cover his campaign. Beyond that, it's a trip I encourage you to take for yourself.
"Mira Grant" is the not-at-all-secret pen name of Seanan McGuire, whose urban fantasy novels have landed her on this year's final Campbell Award ballot. Her greatest strengths under both names are in world building and characterization. The world here is believable and engrossing, and the infodumps are relatively unintrusive. The characters are fully formed, with individual voices, beliefs, and attitudes. I grew to care about them deeply, so much so that at one point I likely would have yelled "No!" if I hadn't been reading on a crowded plane, and at another I had to put down the book for a minute to wipe my eyes.
McGuire/Grant's weakest area before now, the one that's been the target of the most criticism, has been plotting, particularly where it comes to building and resolving mysteries. That's still a little bit of an issue, in that the villain of the book is too cartoonishly obvious, but Feed displays a more developed sense of pacing than her previous work, and carries the reader along, sometimes at breathtaking speed.
Feed is the first volume of the "Newflesh" trilogy, so there are a couple of key questions that remain unanswered for now. But this book has a clear, satisfying end, so the wait for next year's Deadline (which has already been delivered to the publisher) isn't too onerous.
This is an outstanding book. Highly recommended.
30 of 33 people found the following review helpful.
Into The Head of Shaun Mason *Spoiler Alert*
By Shroud Magazine's Book Reviews
*Warning, this review contains spoilers for FEED, the preceding book in Mira Grant's Newsflesh trilogy read the review here ([...]), then read that book first.*
It sucks to be the second part of a trilogy. The first part is young and impetuous, the vibrant child introducing us to new worlds and people while establishing the broad conflict. The last one is older, more mature, bringing it all together and providing us with a sense of closure. All the middle kids does is get everyone into as much trouble as possible.
Boy, howdy does DEADLINE do that.
Picking up scant months after the events of FEED, we're plopped into the head of Shaun Mason as he barely holds the crew of After the End Times together. The ghost of his dead sister is in his head, an officially deceased CDC researcher is in his apartment and his city is overrun with the hungry amplified. This new addition to the group has information that someone is willing to firebomb the entirety of Oakland to keep secret. It would appear that the conspiracy behind his sister's death is alive and Shaun will stop at nothing to get at the heart of the matter.
Everything that made FEED my favorite novel of last year, as well as my second favorite zombie novel of all time, is still here: political intrigue, in-depth and honest characters that work their way into your heart and life, spot on social commentary on the way we live under the threat of a terror state and some damn fine "hold onto your britches while you fill them with poo" action. Of course, Mira continues to ratchet up the tension with the increasingly tightening noose around the necks of our intrepid newsies. Her previously proven Whedonesque willingness to kill off any character, no matter how important they may seem, certainly kept me on my toes in that regard.
I specifically enjoyed the change in POV from FEED's supremely self-assured and driven Georgia to the increasingly apathetic and uncertain Shaun. His feelings of inadequacy and mental breakdown (he doesn't just talk to his dead sis, she argues back) provide the heavy emotional impact this go round. The world around and within him is collapsing into chaos and you'll feel every moment.
Sure, it will leave you hanging in the air once the last page is turned, but that is what middle children do. Also, there's a revelation near the end that I want to call cheap but it does fit with the information we are provided earlier and I'm curious to see how it will play out in BLACKOUT. Overall, it's a hell of a worthy followup to FEED that had me tearing through the pages and left me salivating more. What else can you ask for?
Reviewed by Shroud's Anton Cancre
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