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Blackout (Newsflesh), by Mira Grant
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The explosive conclusion to the Newsflesh trilogy from New York Times bestseller Mira Grant.
Rise up while you can. -- Georgia Mason
The year was 2014. The year we cured cancer. The year we cured the common cold. And the year the dead started to walk. The year of the Rising.
The year was 2039. The world didn't end when the zombies came, it just got worse. Georgia and Shaun Mason set out on the biggest story of their generation. The uncovered the biggest conspiracy since the Rising and realized that to tell the truth, sacrifices have to be made.
Now, the year is 2041, and the investigation that began with the election of President Ryman is much bigger than anyone had assumed. With too much left to do and not much time left to do it in, the surviving staff of After the End Times must face mad scientists, zombie bears, rogue government agencies-and if there's one thing they know is true in post-zombie America, it's this:
Things can always get worse.
BLACKOUT is the conclusion to the epic trilogy that began in the Hugo-nominated FEED and the sequel, DEADLINE.
Newsflesh FeedDeadlineBlackout
For more from Mira Grant, check out:
ParasitologyParasiteSymbiont Chimera
Newsflesh Short FictionApocalypse Scenario #683: The BoxCountdownSan Diego 2014: The Last Stand of the California BrowncoatsHow Green This Land, How Blue This SeaThe Day the Dead Came to Show and TellPlease Do Not Taunt the Octopus
- Sales Rank: #269168 in Books
- Brand: Brand: Orbit 2012-06-01
- Published on: 2012-06-01
- Original language: English
- Number of items: 1
- Dimensions: 7.63" h x 1.50" w x 4.25" l,
- Binding: Mass Market Paperback
- 672 pages
- Used Book in Good Condition
Review
"Astonishing ... a fascinating exploration of the future."―New York Times
"While there's plenty of zombie mayhem, political snark, and pointedly funny observations here, the heart of this book is about human relationships, which are still the most important thing in the world...even in a world where you might have to shoot the person you love most in the head, just to stop them from biting off your face."―Locus on Feed
"Feed is a proper thriller with zombies. Grant doesn't get carried away with describing her world or the virus. She's clearly thought both out brilliantly, but she doesn't let it get in the way of a taut, well-written story."―SFX on Feed
"The story starts with a bang as corruption, mystery, danger and excitement abound."―RT Book Reviews (4.5 stars) on Feed
"Gripping, thrilling, and brutal... Shunning misogynistic horror tropes in favor of genuine drama and pure creepiness, McGuire has crafted a masterpiece of suspense with engaging, appealing characters who conduct a soul-shredding examination of what's true and what's reported."―Publishers Weekly (Starred Review) on Feed
"Intelligent and intense, a thinking-person's post-apocalyptic zombie thriller set in a fully-realized future that is both fascinating and horrifying to behold."―John Joseph Adams on Feed
"I can't wait for the next book."―N.K. Jemisin on Feed
"It's a novel with as much brains as heart, and both are filling and delicious."―The A. V. Club on Feed
"OK, all of you readers who want something weighty and yet light, campy and yet smart, horror with heart, a summer beach read that will stay in your head and whisper to you "what if," Deadline is just what you are looking for."―RT Book Reviews on Deadline
"Deft cultural touches, intriguing science, and amped-up action will delight Grant's numerous fans."―Publishers Weekly (starred review) on Deadline
"Intelligent and exciting...raises the bar for the genre."―Telegraph on Deadline
"Wry and entertaining."―NPR Books on Blackout
About the Author
Mira Grant lives in California, sleeps with a machete under her bed, and highly suggests you do the same. Mira Grant is the pseudonym of Seanan McGuire -- winner of the 2010 John W. Campbell Award for best new writer. Find out more about the author at www.miragrant.com or follow her on twitter @seananmcguire.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Great read!
By WoodWolfe
Good book, nice close to the series. And interesting take on a zombie world, where the zombies weren't the real focus of the books.
0 of 0 people found the following review helpful.
Fun ride
By William Henry May
Fun ride to the end. If you liked the first two, this is a must read. Looking forward to checking out more of Mira Grant's work.
16 of 18 people found the following review helpful.
Review of Full Series: Begins with a bang, ends with a wimper
By Ironcharles
***No spoilers, because the twists really are that good.***
Rather than write three separate reviews, I'm going to write one review for the series.
FEED is a marvelous book with an opening that grabs you and a plot that, while largely political conspiracy in nature and despite the obligatory exposition, manages to move along at a quick pace. The worldbuilding is wonderfully colorful. Georgia is an interesting narrator, and she doesn't load us with a lot of unnecessary information. She's precise in her thoughts, and that really helps with the pacing. This is the shortest book in the series, and that's definitely an asset. The ending is a shocker that I did not see coming.
DEADLINE picks up several months after the end of the first book. It starts off a little slower than the first, but once we get a huge, awesome, throw-the-book-across-the-room twist in the story about a third of the way through, things pick up with a vengeance! There are a lot of revelations in here, and our main characters feel like they're getting somewhere. Our narrator is not as precise as in FEED, and there is some repetition that could have been trimmed. The book ends with another out-of-left-field twist that will make you want to jump into the third volume right away. This is one of the strongest middle books in a trilogy that I can remember. And is it just me, or is Dr. Abbey screaming to be played by Kathie Bates in the movie?
BLACKOUT continues the story right where we left it, but it sadly cannot keep up with the pace set by the first two volumes. It is the longest book of the trilogy, which is not uncommon, but it is also the most uneven. There are multiple narrators, which is great in some ways and not so great in others. We get different pacing and different revelations from our characters (great), but the voices are not different enough (confusing), and there are several scenes that are replayed identically multiple times, just from someone else's perspective and not with really new information (not so great). There is a LOT of repetition that could have been edited (really not great), from character traits that we are well aware of to background/plot points from earlier volumes that don't need rehashing; I don't need to be reintroduced to Shaun like I'm meeting him for the first time. No one is picking up this book without reading the first two.
The story ties up the loose plot points, but not in a way that is wholly satisfactory. There are a few too many convenient coincidences (i.e., someone ends up being in Seattle when he/she could have been in Phoenix). There are a lot of fake-out moments where the build up is pointing you in one direction, but the resolution is something simpler and not nearly as interesting (I was really looking forward to that dangerous trip to Florida, maybe going through Phoenix (see above comment) to get there...I wanted to learn more about the people at the gas station...we're always told how dangerous it is to have road trips, but aside from the zombie bear, it's pretty smooth sailing...). The scene with the Mason parents is far and away the best in the book for tension and character development; I wanted more of this! There are real things to gain and lose in this scene, and it plays out like an echo of the first two books.
It's odd to say that the conclusions the characters reach feel both too quick and too drawn out: we're given a lot of build up for what is pretty blase and, ultimately, nothing more than what it first appeared to be. The big, emotional twists and turns of the first two books are largely absent; when people die, I don't care about them like I did in the beginning. The villains (throughout all three books) are cartoonish and black and white, a lot of Scooby-Doo "if it weren't for you meddling kids" mentality, instead of the complex shades of grey we get from the well-drawn main characters.
I don't want it to sound like there is nothing redeeming about the third book. The potential is there; a great world has been created with characters to truly enjoy and root for. But there were too many avenues left unexplored, set up and then forgotten, too many hard decisions made easy.
A solid 4 Stars for the first two books, 3 stars for the third book.
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