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Hull Zero Three, by Greg Bear
Download Hull Zero Three, by Greg Bear
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A starship hurtles through the emptiness of space. Its destination - unknown. Its purpose - a mystery.
Now, one man wakes up. Ripped from a dream of a new home - a new planet and the woman he was meant to love in his arms - he finds himself wet, naked, and freezing to death. The dark halls are full of monsters but trusting other survivors he meets might be the greater danger.
All he has are questions -- Who is he? Where are they going? What happened to the dream of a new life? What happened to Hull 03?
All will be answered, if he can survive the ship.
- Sales Rank: #956640 in Books
- Published on: 2011-10-07
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 1.00" w x 5.50" l, .63 pounds
- Binding: Paperback
- 336 pages
From Publishers Weekly
Starred Review. Multiple Hugo and Nebula winner Bear (City at the End of Time) sets this difficult but rewarding short novel on an interstellar colony ship gone astray. Teacher was supposed to be awakened just before landfall. What he finds when he gains some semblance of consciousness, however, is a dangerous and chaotic environment, with monsters roaming the ship's corridors and no one in charge. As he and a small band of equally ignorant crew members attempt to reach the gigantic ship's control center, they travel through a series of labyrinthine spaces, uncovering a variety of clues to the disaster that has destroyed large parts of the starship and damaged the controlling AIs. Not for those who prefer their space opera simpleminded, this beautifully written tale where nothing is as it seems will please readers with a well-developed sense of wonder. (Dec.)
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From Booklist
Never one to play it safe in his consistently inventive fiction, Bear takes the reader for a harrowing ride on a labyrinthine starship in his latest hard-SF-oriented novel. Bear’s protagonist is an amnesiac starship crew member just released from a deep hibernation state called Dreamtime. Naked, disoriented, and forced by extreme temperature and gravity fluctuations to find safety somewhere among a confusing network of passageways, the man eventually receives help from an odd assortment of fellow Dreamtime refugees. Taking stock of their surroundings, while avoiding onboard killing machines, the gang quickly realizes the starship has given them each a unique role to play, including discovering collectively why the ship has been seriously damaged and cast aside from its mission to seek out habitable worlds. Bear’s pithy, occasionally cryptic writing style perfectly captures the chaotic experiences and unsettling revelations the team endures, while putting an intriguing spin on the timeworn SF theme of interstellar planet hunting. One of Bear’s most thought-provoking and well-crafted novels to date. --Carl Hays
Review
'Hull Zero Three is a lean, mean, supercharged sense-of-wonder engine.' -- Alastair Reynolds 'Hull Zero Three is a grand adventure of scientific discovery ... by turns chilling and touching, it poses challenging questions about what it means to be human.' -- Charlie Stross 'Greg Bear's voice is a resonant, clear chord of quality binding some of the best SF of the 20th Century to the short list of science-savvy, sophisticated, top-notch speculative fiction of the 21st. More than a grace note, Hull Zero Three is a compelling allegro in the growing symphony of Greg Bear's finest work.' -- Dan Simmons 'Not for those who prefer their space opera simple-minded, this beautifully written tale where nothing is as it seems will please readers with a well-developed sense of wonder.' PUBLISHER'S WEEKLY 'I loved Hull Zero Three ... this book reminds me of why I fell in love with science fiction in the first place. Searing questions of humanity, a good old fashioned riddle of a plot, and excellent conceptualization make Hull Zero Three more than worth the effort.' THE BOOK SMUGGLERS
Most helpful customer reviews
91 of 98 people found the following review helpful.
Solid, intruiging genre sci-fi
By Dave Greenbaum
I was predisposed to liking this novel. I am a fan of the sci-fi tropes of the "big dumb object exploration" (see: "Rama" series) as well as the who multi-century interstellar exploration idea (too many to mention). "Hull Zero Three" is a combination of these themes, and starts out very fast, with a man awakened from a dreaming bliss and rudely injected into a freezing, semi-derelict giant starship, beset by confusion and danger at every turn, and basically trying to survive first, and figure out what is going on and what he is doing later.
The overall theme of "Hull Zero Three" may remind readers last year's (very underrated) film "Pandorum," but Bear, to his credit, writes with a bit more complexity and depth then what you might find in a movie. The themes of "Hull Zero Three" include some meditation on what it means to be human - genetically and morally, and whether we can overcome our genetic 'programming', as well as what humanity as a species may or may not be willing to do in order to survive.
Bear doesn't skimp on pure action, and while he avoids the standard "infodump" we do learn enough of the design and function of the inconceivably vast starship to really engage the reader's sense of wonder and awe. The book was not perfect - there were some scenes towards the middle where it dragged a bit, and the end seemed a bit too rushed and confusing. However, these are minor flaws. Overall, "Hull Zero Three" is one of 2010's better sci-fi offerings and showcases an author that is still near the top of his game.
32 of 38 people found the following review helpful.
Small amnesiac protagonist meets big dumb object
By S. Horwatt
Hull Zero Three is an uneven, uneasy marriage of the "amnesiac protagonist" plot (made popular mostly in mystery and suspense fiction, such as "The Bourne Identity") and the "explore the big dumb object" plot (made popular in science fiction, such as "Rendezvous with Rama," "Event Horizon," etc.). Unfortunately, the combination of these plots makes for a muddled read, since a character who doesn't know who or where he is wanders through something he can't adequately describe (because he's also forgotten a lot of words, so he really wouldn't be able to adequately describe his surroundings if he woke up somewhere really mundane) being threatened (or not...he's not really sure) by things he doesn't know the names of and again can't adequately describe.
It is pretty obvious from the outset that the character is on a generation ship and that things have gone HORRIBLY WRONG (as things always seem to do on generation ships...it's a wonder anyone builds them, really...don't those people read science fiction?). So the suspense really all revolves around what has gone wrong and will the characters be able to set it right. It's too bad that Bear chose such an annoying way to tell this story, because I thought the situation (when it is finally revealed very late in the novel) was actually pretty interesting and if he'd made the story about THAT instead of about an amnesiac character slowly making this discovery, it would have been a much better novel.
91 of 115 people found the following review helpful.
I worry about the effect of CGI-heavy sci-fi movies on science fiction writing
By Geoff Arnold
I really wanted to like this book. After all, the basic plot (character awakes in strange circumstances on a vast starship, and must undertake a long journey with many challenges in order to discover why) is a classic. I doubt that I'm the only reader of space fiction who has dreamed about such a quest, and even thought about writing it.... But I digress. Just because a story is based on a timeless theme doesn't mean it's no good, does it?
So the narrative arc is familiar, the characters equally so, the vaguely horrific quest works well, and the overall resolution is nicely judged. So why Do I give this book only three stars? Other reviewers have already identified the book's fatal weakness: the descriptions. Descriptions of characters and of monsters, both human and monstrous. Descriptions of the ship: its processes, systems, structures, spaces and spatial elements. Descriptions of the forces that act upon the characters, including sounds, accelerations, temperatures... The author insists on painting a detailed picture of every move, every event, every spin-up and chill-down, and then finds himself running out of adjectives. The result is often repetitive, and unfortunately flat.
As I said, I've read many science fiction stories in which the writers strove to describe huge alien forms and to hint at experiences beyond human ken. And generally they succeeded. I have a feeling that what's happening here is that the author has watched too many science fiction moves. When computer graphics can casually fill the screen with aliens, or a starship the size of a small planet, or an attack by thousands of robots, two things can happen to a writer. First, s/he may believe that anything less will not satisfy the reader, and s/he will strive to compete with the visual medium. Second, s/he may hope that the book can become the basis for a successful movie, and drifts into writing not a novel but a screenplay with detailed instructions to the special effects team.
How close does Greg Bear come to these tendencies - the Scylla and Charybdis of CGI envy? A bit too close for comfort, I'm afraid.
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