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Musician and naturalist Bernie Krause is one of the world's leading experts in natural sound, and he's spent his life discovering and recording nature's rich chorus. Searching far beyond our modern world's honking horns and buzzing machinery, he has sought out the truly wild places that remain, where natural soundscapes exist virtually unchanged from when the earliest humans first inhabited the earth.
Krause shares fascinating insight into how deeply animals rely on their aural habitat to survive and the damaging effects of extraneous noise on the delicate balance between predator and prey. But natural soundscapes aren't vital only to the animal kingdom; Krause explores how the myriad voices and rhythms of the natural world formed a basis from which our own musical expression emerged.
From snapping shrimp, popping viruses, and the songs of humpback whales-whose voices, if unimpeded, could circle the earth in hours-to cracking glaciers, bubbling streams, and the roar of intense storms; from melody-singing birds to the organlike drone of wind blowing over reeds, the sounds Krause has experienced and describes are like no others. And from recording jaguars at night in the Amazon rain forest to encountering mountain gorillas in Africa's Virunga Mountains, Krause offers an intense and intensely personal narrative of the planet's deep and connected natural sounds and rhythm.
The Great Animal Orchestra is the story of one man's pursuit of natural music in its purest form, and an impassioned case for the conservation of one of our most overlooked natural resources-the music of the wild.
- Sales Rank: #54112 in Books
- Published on: 2013-03-12
- Released on: 2013-03-12
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 1.00" w x 5.50" l, .55 pounds
- Binding: Paperback
- 304 pages
Review
Featured in The New York Times Book Review's Paperback Row
"The Great Animal Orchestra is about the symphony of beasts that surrounds us, a vast orchestra in the process of being silenced....A fascinating life, and devotion to a fascinating topic...Krause wakes up your ears, gives you a desire to experience these wild soundscapes." -- Jeremy Denk, New York Times Book Review
"Forty years travelling the world to record more than 15,000 species have given Krause a rare insight into the importance of 'biophony'." -- Nature
"This passionate amalgam of science and autobiography argues that in the wild, animals vocalize with a musicianly ear." -- New York Times Editors' Choice
"Krause...has recorded the sounds of more than 15,000 animal species and their natural ambience. This often poetic and thoroughly entertaining book reflects his passion." -- San Francisco Chronicle
"The Great Animal Orchestra speaks to us of an ancient music to which so many of us are deaf. Bernie Krause is, above all, an artist. I have watched him recording the calls of chimpanzees, the singing of the insects and birds, and seen his deep love for the harmonies of nature. In this book he helps us to hear and appreciate the often hidden musicians in a new way. But he warns that these songs, an intrinsic part of the natural world and essential to human well being, are vanishing, one by one, snuffed out by human actions. Read The Great Animal Orchestra, tell your friends about it. And as Bernie urges, let us all do our part to preserve the age old sounds of nature." -- Jane Goodall
"This fascinating book awakens our ancient ears to the source of all music. Read it, and you'll yearn to muffle our din-and hear anew." -- Alan Weisman, author of THE WORLD WITHOUT US
"Bernie Krause and his niche theory are the real thing. His originality, research, and above all basic knowledge of the sound environments in nature are impressive. The idea of music originating in the sound communication systems of wild animals is a sound and provocative hypothesis. I admire also his attention to the preservation of ancestral-level cultures for their own value but also as a testing ground for theory on human behavioral evolution." -- E.O. Wilson
"Krause always reveals wondrous stories of the meaning of music and sounds of our natural environment. Bernie's research into the subtleties of animal and insect sounds is unparalleled, but it is his description of the radical changes that are taking place on this planet that really makes on stop and wonder... Listen carefully, for the sounds you hear may never be the same again." -- Sir George Martin
"Krause shows us the music of the natural world - long may his work continue!" -- Pete Seeger
"Bernie Krause has admirably produced not only a comprehensive overview of the art of nature recording, but also shows his heartfelt understanding and appreciation of natural soundscapes, a threatened heritage in our modern world." -- Dr. Roger Payne, author of Songs of the Humpback Whale
"This book will get you to wake up and listen to the natural world." -- San Francisco Chronicle
"If a picture is worth a thousand words, what is a sound recording worth? Perhaps much more... We say we want peace and quiet, but Bernie knows better. What we really want is something worth listening to. There is plenty of it out there. Nobody knows how to find it better than Bernie Krause." -- Jean Michel Cousteau
About the Author
Dr. Bernie Krause is both a musician and a naturalist. During the 1950s and 60s, he devoted himself to music and replaced Pete Seeger as the guitarist for The Weavers. For over 40 years, Krause has traveled the world recording and archiving the soundsof creatures and environments large and small. He has recorded over 15,000 species. He lives in California.
Most helpful customer reviews
29 of 29 people found the following review helpful.
A pioneering and creative fusion of music and science
By t.wrecks
In addition to playing with the Weavers, Bernie and his partner Paul Beaver introduced the synthesizer to rock, and they worked with the biggest names in music in the 1960s and 1970s. Bernie's previous book, In A Wild Sanctuary, explored how animals partition their environments to get their calls across without interfering with each other. This selective use of the soundscape, which must be seen as a vital part of ecology and evolution, is now called biophony (life-sound), and along with geophony (earth-sound, like water and wind), makes us more sensitive to what's going on around us. He has recorded thousands of animals, plants, and environments around the world, including many environments that have now disappeared. His work has been pioneering in giving us a whole different qualitative and quantitative approach to what we are losing ... and sounds often record what visual evidence alone cannot.
Here, Bernie asks whether the sounds and rhythms of human music could have been adopted wholesale from the animals in our environments -- in short, whether animals taught us to sing and dance. The rhythms and songs of these animals will astound you, and give you a different perspective on the inspiration for our music.
17 of 17 people found the following review helpful.
A life-changing book
By John Joss
All too rarely a book comes along that changes one's life and worldview by opening up new vistas of knowledge, thought and feeling. This is such a book.
Bernie Krause built upon a musical education and grounding to create a new dimension of sound. After building a career in the music business--itself a rare achievement--he turned to the sounds of nature. He deals with sound as his mentor, considering sounds from the land and ocean, evaluating the organized sound of life itself, covering what he calls `biophony' as a proto-orchestra, revealing the interior of the magnificent reality represented by the sounds of life that surround us every waking moment.
The book has many dimensions: it is a scientific treatise of exceptional scholarly quality and clarity; it is a book of global scope, since the author has worked worldwide, on land, at sea and undersea in pursuing the soundscapes of animal life; the book studies and documents the influence of human activity on ecosystems that predate humanity by hundreds of thousands of years, explaining the destructive aspects of human-derived sound, which he calls `noise'; and it is a richly anecdotal book of profound human insights, since it enables the reader to appreciate, in ways that were hitherto unavailable, the influence of sound in essentially every aspect of our lives, in places rich with mystery that most of us will never visit. Krause believes, and who are we to argue with him, that human communication over the millennia may be based on the natural sounds that preceded speech and singing--after all, animals, birds and marine life were here long before Man.
If one had to level a criticism at the work, it would be the missed opportunity of not including a CD of natural sounds, or at least offering one to readers, but this does not happen. There is precedent: Nick Mason, of Pink Floyd, is a committed automobile enthusiast who included a C D of some of his great collector cars in his book.
That minor criticism aside, Animal Orchestra is beautifully written, in lucid prose that pleases the mind. It is not a casual or easy read, because it is a voyage of discovery, replete with arcane detail that calls for close, attentive scrutiny and thought, but the time spent will be well rewarded. A spiritual tone pervades the work, compelling one to believe that knowing the author would be a profoundly uplifting experience. His clarion call for greater respect for nature resounds from every page.
This book is a great achievement. One will never hear or listen to the world the same way, ever again.
14 of 15 people found the following review helpful.
A Soundscape is Worth a Thousand Pictures By:Mike Cumberland
By Cumberland Alphorn Michael C R Cumberland
The Great Animal Orchestra By: Bernie Kraus
Reviewed by: Mike Cumberland
This book will change the way you listen. Krause awakens the spirit of the reader from the ennui of the everyday to the acoustic susurrations that surround us each day. As he notes, as a species, we now tend to block out our surrounding sounds with our own digital technology, but we also do this as a limbic brain protective / survival mechanism.
Krause skillfully relates the progression of his early personal experiences to his journey of amassing a collection of soundscapes worthy for generations to come. This book brings his salient technical journal and professional writings into a consummate assemblage of easily understood ideas. His explanation and use of terms such as: spectrograms, geophonies, biophonies, and anthrophonies are easy to grasp through diagrams and his easy writing style.
I was happily pleased that Mr. Krause made the reader aware of "The Sixth Extinction" concept through soundscape recordings -- but as much pleased that the point was not belaboured upon as Farley Mowat's Sea of Slaughter; which is down-right depressing.
One particular éclat phrase is particularly poignant, "... while a picture is worth a thousand words, a natural soundscape is worth a thousand pictures." (Krause, p. 71) This particular phrase alludes to the multi-dimensionality of life that Krause has captured in his extensive research studies. He not only clearly explains the three-dimensionality of vision, but on goes to concisely explain the fourth dimensionality of the inclusion of space and time through his spectrographs.
To a curious reader one can extrapolate that Krause is verging on translating the fourth-dimensionality of time and space: to quantum mechanics, general relativity, and string theory -- that explains all fundamental forces of nature.
This is a book that can be enjoyed as an introduction to soundscapes for the neophyte explorer, as well as the technically well acquainted in this burgeoning field. As a person who has worked with R. Murray Schafer for over thirty years learning about this field I can say it evokes more questions to be answered for future generations than it answers questions. This is as a great book should be -- it demands a response from the reader to act.
Lastly, I think of The Great Animal Orchestra's relevance for today. I need look no further than while I was in my early twenties when I was tree-planting massive clear-cuts in British Columbia. For four years I was in the areas of Terrace, Smithers, Hazleton, and Kitimat -- I reverently pause -- thinking of the existing fight to save this pristine land of paramount cultural / ecological significance and the current debacle with the Enbridge Northern Gateway Pipelines Project which will destroy this area. It is time for us to wake up from our soporific stupor of uncaring, greed-based, urban-life, and hear the thousands of voices. If you listen -- they are there.
Wolf Music: Tapio for Alphorn with Echoing Instruments
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