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Eclipse, by Stephenie Meyer
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The #1 New York Times bestseller is available with a striking movie tie-in cover. Readers captivated by Twilight and New Moon will eagerly devour the paperback edition Eclipse, the third book in Stephenie Meyer's riveting vampire love saga. As Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge, Bella once again finds herself surrounded by danger. In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob --- knowing that her decision has the potential to ignite the ageless struggle between vampire and werewolf. With her graduation quickly approaching, Bella has one more decision to make: life or death. But which is which?
- Sales Rank: #465744 in Books
- Published on: 2010-05-25
- Released on: 2010-05-25
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 2.00" w x 5.50" l, 1.28 pounds
- Binding: Paperback
- 640 pages
- Product Dimensions: 8.5 x 7 x 5.8 inches
- Language: English
- Reading level: Young Adult
- Shipping Weight: 5.0pounds
From Publishers Weekly
The legions of readers who are hooked on the romantic struggles of Bella and the vampire Edward will ecstatically devour this third installment of the story begun in Twilight, but it's unlikely to win over any newcomers. Jake, the werewolf met in New Moon, pursues Bella with renewed vigilance. However, when repercussions from an episode in Twilight place Bella in the mortal danger that series fans have come to expect, Jake and Edward forge an uneasy alliance. The plot patterns have begun to show here, but Meyer's other strengths remain intact. The supernatural elements accentuate the ordinary human dramas of growing up. Jake and Edward's competition for Bella feels particularly authentic, especially in their apparent desire to best each other as much as to win Bella. Once again the author presents teenage love as an almost inhuman force: "[He] would have been my soul mate still," says Bella, "if his claim had not been overshadowed by something stronger, something so strong that it could not exist in a rational world." According to Meyer, the fourth book should tie up at least the Edward story, if not the whole shebang. Ages 12-up. (Aug.) Copyright 2007 Reed Business Information
From Booklist
The third episode of Meyer’s vampire-romance series finds heroine Bella Swan anxious to become a vampire and live forever with handsome vampire Edward. Obstacles arise when Edward demands marriage and werewolf Jacob declares his love for Bella. Eventually, the Cullen vampires and the Quileute werewolves unite to face off against a pack of uncontrollable vampires seeking revenge on Bella. Kadushin portrays kindly Edward in soft, warm tones and voices teenager Jacob in more brash, edgy speech patterns. She captures Bella’s uncertainty as she wavers between her love for Edward and her intrigue with Jacob. Kadushin’s performance is particularly stellar in passages where Bella is cold and her words come out in a chattering fashion or when she is upset, causing her to sob and hiccup. Matt Weathers reads the epilogue, which indicates a follow-up title is likely, news that should please fans of the popular series. Grades 9-12. --Pam Spencer Holley
Review
Praise for Eclipse:
"Move over, Harry Potter." - USA Today
"Has a hypnotic quality that puts the reader right inside the dense, rainy thickets of [Forks]" - People Magazine
"The legions of readers who are hooked on the romantic struggles of Bella and the vampire Edward will ecstatically devour this third installment" - Publishers Weekly
"[Stephenie Meyer is] the world's most popular vampire novelist since Anne Rice" - Entertainment Weekly
"Meyer's trilogy seethes with the archetypal tumult of star-crossed passions, in which the supernatural element serves as a heady spice." - The New York Times
Most helpful customer reviews
161 of 179 people found the following review helpful.
A conversation with Stephenie Meyer
By Amazon Customer
"You gave it three stars?" she asked me, biting her lip and holding her breath.
"Yes," I finally answered with my marble lips, cold yet strangely comforting, even warm. "Stephenie, don't forget to breathe."
"Oh, of course." A storm seemed to rage in her for just a moment.
"I gave it a three. It's good." I would never lie to her, could never lie to her. Yet, somehow, she felt it was a lie and brooded in stillness for a moment that seemed to last an eternity.
Finally, I broke the aching silence. "I gave it a three because the vampire lore was that good -- the extended plotline and the setup for a decent fourth novel were all enjoyable." There, I said it. Would it be enough for her? No, it would never be enough.
"But you absolutely hated the tent scene with the [spoiler removed], and you wanted to send Bella straight to vampire hell for her self-absorbed, self-indulgent, self-obsessed self-ness by the end."
We paused and I noticed sobs erupting from deep inside her.
"Stephenie, breathe, and stop biting your lip, it's getting really annoying. Quit with the crying already. Yes, all of those things are true, and if I could release myself from your books, I would. But-"
"But?" she asked longingly, her fingers caressing my face while my fingers caressed her face and somebody else's fingers were somehow caressing both our faces because you can never have too much face-caressing going on -- whose fingers are those, anyway?
"But despite how much I hate Bella by now, I really want to find out more about the Volturi and the process of becoming a vampire and whether Bella is somehow part of an ancient bloodline that stirs up all the vampires and werewolves whenever she's around. That's why I gave it three stars, and that's why-" I gasped, she gasped, we both forgot to breathe and bit our lips, "-why I will be reading the fourth book as soon as it is out."
Finally, I remembered to breathe and stopped caressing her face, looked into her eyes and with my godlike, cool, marble lips, asked, "Satisfied?"
Smiling, she answered, "Yes, very."
647 of 779 people found the following review helpful.
Ahh...guilty pleasures...
By gaimangirl
I wasn't really sure how to rate these books, because in terms of literary quality they're certainly one star. Yet, they're so delightfully cheesy that in terms of entertainment value, they probably rate a 5-star review. Of course, I'm the girl that adores awful monster movies on the SciFi channel, so maybe you shouldn't trust my judgment. :)
But really folks these books are absolutely ridiculous. They're so over the top they read like parodies of supernatural romance novels. The characters' motivations and reactions defy any sort of real world logic. These books just don't make any sense. Like here's my main problem with the series: What in the world do all of these people see in Bella? And I'm not just talking about Edward and Jacob. That also includes Mike Newton, the entire Cullen family, Angela, and even Victoria and James from the first book. The entire Twilight universe revolves around Bella. Everyone is obsessed with this girl. Why? She's whiny, hypocritical, self-obsessed, co-dependent, moody, childish, sulky, I could go on, you get my drift. She has no goals, ambitions, hobbies, dreams, or talents. She shows no interest in the world around her. She basically shows disdain and/or contempt for anyone in her life who isn't impossibly beautiful or superpowered--including her own parents. Her one goal in life is to become a vampire so she can live forever, be impossibly beautiful and strong, and never age. Yes, this is our heroine, people. Was I the only one rooting for Victoria to knock the hell out of her?
Then of course there's Edward. I believe I've read in SM's own words that Edward is her idea of the perfect man. I guess we'll just have to agree to disagree on that one. And let me just say that I don't care how beautiful and gorgeous and perfect and wonderful a character is--NO ONE deserves to have 300 pages telling us these things. If a character is supposed to be beautiful then I only need to be told that once, and then I'm looking for their more interesting aspects. If their beauty is brought up more than once than I'm going to assume that it's signficant to the story somehow...it relates to the plot, it's an ironic contrast to their not so beautiful inside, it serves as commentary for cultural perspectives on beauty. I don't want to get the idea that I'm reading about Edward's crooked smile, or bronze hair, or perfect chiseled features, or muscular chest over and over again because the author is imagining herself as the object of his affection and likes reminding everyone of how gorgeous he is.
And Jacob...how did he go from a sweet kid to a rapist-in-training? And why is SM so convinced that we're all going to adore this twerp as much as she does? That said, as a character, he's still 1000 times more believable and better developed than Edward.
Basically this book had so many unintentionally hilarious moments that I was imagining it as an episode of Mystery Science Theater 3000. There was Charlie's utterly bizarre reaction to Bella's breaking her hand...(What's that? You tried to sexually assault my daughter? And she injured herself? Way to go tiger!) Bella's stupidity after Rosalie's backstory (Hmm...I think she's trying to tell me something about life and humanity and family, but all I can really focus on is that some hot vampire chick once came onto Edward..WAAAHHHH Edward!) Edward's rather psycho definition of love( He basically says "I don't care about anyone else. I only care about you. Only you matter.") And the vampires' reactions (or rather non reaction) to the murder of the new vampire Bree disturbed me. They basically do nothing and have no reaction when a teenage girl is ripped to pieces right in front of them. Six months ago she was probably a normal teenager and now she's a pile of ashes and not one of the saintly "good" vampires even bothers to say "Poor girl. I wonder if her family is looking for her?" And these are the people that Bella wants to hang with for eternity?
Hey I won't lie, I'll probably be buying the 4th book, but I have no expectations of quality or literary value, only that I'm going to entertained by more cheap melodrama and cheesy, pseudo-sensuality.
165 of 196 people found the following review helpful.
Sadly, such a disappointment
By Penny
I adored both Twilight and New Moon (gave them both 5 star ratings) and was happily anticipating loving Eclipse as much as I did the first 2 in this series. Unfortunately, the bad things really overshadowed the good for me in this installment.
I think Stephenie Meyer has an amazingly readable writing style; she's definitely one of 3 writers that I budget time to read their latest books in one sitting (Rowling, Charlaine Harris and Meyer). Eclipse was no exception in terms of being a page-turner. This novel really showcases Meyer's great sense of humor as well. Obviously from the amount of time and emotional energy I've invested into the series over the last couple of years, I care very intensely for her characters, and I think having your readers care so much for the characters should be a real tribute to any writer.
I was very pleased that Edward and Bella finally confronted the issue of their sexual relationship. It was tastefully depicted in my judgment, and it was long overdue. I also think it makes perfect sense for Bella to realize that having human sexual experience before sacrificing her humanity is worth exploring.
While I agree with so many other reviewers that the action plot in this book was only ho-hum at best, I did cheer that Bella (and we readers) at long last got to see Edward the Vampire in action. Now she has a better idea what she'll become, and he understands that she doesn't think him a monster for having witnessed him being a full-fledged vampire.
I didn't like the concept of imprinting (which is limited to the werewolves). It eliminates free will entirely, which I found very unsettling. I also found the similarities between imprinting and Bella's relationship with Edward to be more than a bit disturbing (more on that below).
The Cullens and the Wolves are no closer to understanding the core of humanity that resides in each of them. Jacob acknowledges that Edward loves Bella, but he still doesn't understand their love at all and hasn't made any attempt to understand the Cullens generally. Same, of course, holds true for the Cullens not being keen on the wolves at all. I really thought this would have to be the central theme, but I would have expected more progress in Eclipse.
Now for the Ugly .....
I'm shocked and appalled that Ms. Meyer could believe that many of us who disliked or were on the fence about Jacob in previous books would suddenly convert to pro-Jacob fans after reading Eclipse. I'm truly shocked.
After her book-signing tour for Eclipse, Meyer updated her website with some FAQs about Eclipse, and she has this to say about Jacob: "Those who are upset by some of his tactics should consider his youth and the fact that he is, after all, right. Bella is in love with him."
I thought Jacob was absolutely horrid as a person for the entirety of the novel, and it went beyond simple immaturity. Bella defends Edward (and her love of Edward) to Jacob at one point, emphasizing that Edward is decent. And Edward is decent. And good to the core.
Jacob, however, is not. He is so not decent. I truly despised him by the end of Eclipse and quite honestly, I wish he would just never return from his sojourn in the forest.
I've read enough reviews and talked to enough other readers to know that I'm not alone in being extremely upset and bothered by the Forced Kiss. No decent man would force himself on a woman, no matter what. His inexperience and immaturity don't excuse it. His goal of forcing Bella to acknowledge the connection between them is not sufficient reason for him to have done that. His apology might have ameliorated the wrong, if he had followed through and stopped trying to force or trick Bella into intimacy with him. I think the Forced Kiss sends a horrible message to Meyer's younger fans too. There are no repercussions from his forcing himself on her. Even Bella's father good-naturedly congratulates Jacob for having kissed Bella against her will! Yes, really.
The second later kiss (the one where he threatens to commit suicide since Bella doesn't care about him, provoking her to ask him to kiss her, henceforth the "Trickery Kiss") also proves unequivocally that Jacob is neither decent, nor a man. He's just a bitter, conniving, dishonorable and immature little boy who will apparently stop at nothing to try and get what he wants. I don't believe for one moment that Jacob is motivated solely by the lofty aspiration to save Bella from a fate worse than death (being turned into a vampire). Jacob wants what will make Jacob happy, and he makes absolutely no attempt to genuinely understand Bella's perspective.
Meyer clearly wants readers to feel Jacob's "pain," but honestly, he's 16 years old (which, remember, apparently gives him license to be a total jerk). But, if he's just an average immature 16 year old kid, then he'll just get over Bella and move on, right? I don't fundamentally understand why Jacob's broken heart is supposed to tug at my heart-strings. At the end of Eclipse, it is late June or perhaps mid-July. Jacob and Bella became best friends in January of the same year. He's really known her well for all of 6 months and he's 16 years old. It's a big shrug, isn't it? And if it isn't, why not? Hmmmm......might it be because Bella is turning into the biggest Mary Sue in all YA literature?
Bella frankly comes off worse than Jacob in this book. I've been a big Bella fan and defender in the prior books, but she left me cold in this one. I think she is selfish, whiny, indecisive, subservient to every male in her universe and generally a terrible role model for younger readers of these novels.
I think that Bella was portrayed in Twilight as an "old soul," and the love that she and Edward have (had?) was meant to transcend the normal love relationship that average teenagers might experience (or even that most adults might have). Their love was painted as something that was a cut above all other romance. Most average love affairs get tested by threats such as what Jacob poses. But, the Bella/Edward love story was, I thought, something different. If you take away the supernatural trappings of the two males, then you're left with a rather humdrum average love story, are you not? Again, what was the point of the New Moon epiphany if Bella just throws it all out the window in the next book and remains convinced that she's not good enough for Edward and starts to have romantic interest in another guy?
Bella did at last agree to marry Edward in this book. She made that promise to him, was engaged and then cheated on him. Just because she is only going through the formality of the wedding and an actual marriage because it's important to Edward is no excuse to treat it as though it isn't a promise. And it just kills me, absolutely breaks my heart, for her to be thinking "How soon can I give him back this ring without hurting his feelings?" when he's so suffused with joy and happiness at seeing it on her finger, at knowing that she's agreed to compromise and make him happy with a marriage that is clearly very important to him. That is heart-breaking. Edward deserves so much better.
Further, her objections to marriage are weak. Since we knew in New Moon that Bella had undefined "issues" with marriage, I expected Eclipse to reveal something more along the clichéd line of "child of divorced parents" than the reality. The "I don't want to be that girl" reasoning is really, really lame when you consider what Bella's ultimate plans are. Why the hell would she care what the kids she graduated with are saying about her, when she's never going to see any of them ever again? Since when did Bella Swan care about gossip or what other kids her own age thought about her? Charlie and Renee might be disappointed and encouraging her to wait until after college, but if Bella said the right things, her parents would accept her decision. I can understand the whole "that girl" argument, really I can -- but it makes no sense for Bella to be making that argument. It's weak and completely out-of-character. As one reviewer noted, it's a manufactured conflict designed to stretch out the storyline by another book.
I'm also growing very weary of Bella's self-esteem problems. I can't help wondering what happened to that great epiphany she had at the end of New Moon? The one where Bella and Edward both realized that they love each other completely and would always belong to each other --- what happened to that? In Eclipse, Bella is right back to viewing her relationship with Edward as "out of balance." As Edward noted once, "the way you regard me is ludicrous." I thought we were past all that, and yet Eclipse drags us right back down into the abyss of Bella's self-esteem issues. It's really growing tiresome and overdone (much like the continued repetitive emphasis on Edward's beauty). Grow up and grow a spine, will you, Bella? Please do us all a favor and get a backbone.
In literature (or movies), the author has an obligation to lay some clues that a love triangle is in the offing. Otherwise, it's just cheating. And I feel cheated, completely and utterly cheated. If Bella is resolute about anything, it's that she loves Edward and has only friendship feelings for Jacob. In her Eclipse FAQ again, Meyer insists that Bella fell in love with Jacob in New Moon and states: "Bella has only fallen in love one time, and it was a very sudden, dramatic, sweep-you-off-your-feet, change-your-world, magical, passionate, all-consuming thing (see: Twilight). Can you blame her for not recognizing a much more subtle kind of falling-in-love?" Well, Bella may not recognize it for what it is, but the readers darn sure should be able to see it. I know I'm not alone in finding no evidence of Bella falling for Jacob in New Moon. I think she grew to love him in New Moon, yes. But, it was always clearly a platonic, even sibling-like, love.
In Eclipse, Bella remains clear on this point when talking to Jacob ("I love you, but I'm not in love with you" - page 329) ..... and she's resolute on this point in her own thoughts. Yes, in New Moon, before Edward returns, Bella is debating internally whether she ought to consider giving Jacob what he wants (romance) in order to tie him to her more firmly than just through a friendship that he finds less than enough. But, once Edward is back and through the first ¾ of Eclipse, we don't see any signs that Bella is wavering, having doubts, etc. Jacob was, by the looks of it, her first real close friend in life, and I wrongly assumed that her determination to spend time with Jacob was because she missed her friend.
When Jacob accuses her of being overly defensive about insisting she only cares for him as a friend, we're set up to chalk that up as Jacob's usual cocky arrogance. We've seen nothing from our heroine to make us think that Jacob is onto something. Jacob himself doesn't seem to be consistent on this point either, Meyer's statement that he's "right about Bella being in love with him," notwithstanding. How about the whole "I know you don't feel the same, Bella, but I don't want to chance there being any confusion about how I feel about you." That serves to reinforce to the reader that Bella's feelings for Jacob are clearly not romantic.
What might happen in real life is that Bella could have one of those "Oh. My. God." moments when she is kissing Jacob. But, the author has an obligation to his/her readers to set up a grounding for the character's Oh My God moment so that the reader at least understands what is happening, whether the reader is cheering for said development or not being irrelevant. I won't lie and say that I would have been rooting for Jacob, under any circumstances. But, readers are not psychics. If Bella isn't communicating her inner angst to us in some way, we can't divine it out of thin air. Art imitates life, and in real life, sometimes these things happen out of the blue. But then again, I think that it's rarely completely out of the blue -- it's more that a person has been deluding themselves to some degree or another. But, most of us don't have thousands of bystanders trying to figure out what made us make certain decisions or take certain courses in life. Bella does have an audience though. Her audience deserved more preparation, more clues.
I think the whole angle would have been so much more palatable if Jacob had been portrayed as even remotely likeable. He was so cocky and conniving throughout the entire book, and he seemed completely unworthy of Bella. It would have been so much more bittersweet if Jacob had been persistent but the sweet and charming Jacob of Twilight. I cannot believe that I'm supposed to actually like this guy who forces himself on the heroine with his immense physical advantage, taunts her and her intended family in a steady stream of invective throughout the entire novel and then manipulates and tricks her into asking for a kiss by threatening to go get himself killed in a blaze of noble glory. He's still manipulating her emotions when she is telling him she is choosing Edward; he can't let it go even then. I thought he was absolutely rotten to the core, and I'm flabbergasted that he's supposed to be a "good guy" and that Stephenie honestly felt she'd written him sympathetically enough that fans would finally understand and embrace Jacob Black. I cannot for the life of me understand what she sees in Jacob Black that is so appealing!
I also think that the meat of this love triangle conflict was tossed out with too little build-up and aftermath. Bella changed from "I love you, but I'm not in love with you" to "Oh, I've been so wrong, I can totally see us married and with kids and growing old together" to "Oh well, that part of my heart just broke away" in the space of about 2 paragraphs. It would seem to me that one of the central themes ought to have been about Bella's growing attraction to Jacob (and denial thereof to herself). The reader should have been able to pick up on what she was denying to herself, and the whole crux of the conflict deserves more than a paragraph or two, doesn't it? She has this grand vision pass through her head while she's kissing him because he tricked her into it, and before she's even broken away from the kiss, her heart has severed off that part of itself. No angst, no self-evaluation, no consideration of what all of this means for her and Edward. Just nothing but "woe is me, I must give Jacob up."
I agree with Meyer that it is certainly possible for a person to love more than one person at the same time, and I think it was great for Bella to understand sacrificing her humanity meant more than giving up her parents. I think Bella's friendship love for Jacob would have worked just fine to illustrate this point, but I also would have been fine with Bella developing another romantic love for Jacob to make her choice of Edward that much more lasting, if that had been handled better from a stylistic standpoint. Again, if there's no foundation for the heroine having this revelation, the readers feel cheated.
So, in the end, Bella "chooses" Edward and agrees that they should tell her parents that they are engaged, moving forward with a wedding to be held by mid-August. I should be happy, right? That's what all the folks who loved Eclipse tell me. I got what I wanted in the end or so they say.
Unfortunately, the whole "I can't live without him" thing did nothing to restore my confidence that Bella and Edward are destined, that they are in fact soul-mates. Not being able to live without someone is really not quite the same thing as being in love with that person. I'm starting to wonder if Bella really is just obsessed with Edward, but not truly in love with him. She chose him in the end, yes. But was it a choice made happily and in exercise of her free will? To me, it read almost as if she feels compelled to stay with Edward, even though her heart is telling her something different. That may in fact be the biggest reason I dislike Eclipse so much -- it seems that all the characters are being manipulated by some other power other than their own free will. None of the wolves have any choice with this imprinting concept, and it almost seems as though we're meant to conclude that Edward and Bella have imprinted and therefore she has no choice left either. I don't like that. I want her to choose Edward because she's in love with him and because he makes her happier than anyone else. I don't think she has yet made that choice though, and I'm honestly not sure if choice is truly going to be available to her.
She also seems to be pushing ahead with the game-plan without pausing to think about whether she really does need some more time for reflection. And, Edward seemed a bit desperate at the end too, just to be honest. For all his understanding reaction to the whole debacle, it seemed to me that he was suddenly quite anxious to get her changed to a vampire. He's even willing to give up the wedding. It sounds like 2 people who are both plunging head-long into disaster if you ask me. And I hate that I feel that way about one of my favorite fictional couples! I wanted to be happy for them. On the surface, I should be, right? Bella has chosen Edward, they are engaged and planning a wedding and moving ahead with plans for her to change into a vampire. So, why do I feel so unsettled and sad about it all?
I will read Breaking Dawn next year, but I will try to go into it with lower expectations. I hope Meyer can return to the standard of Twilight and New Moon, but I am not confident given where things stand at the end of Eclipse. Sad.
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