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Feed (Newsflesh, Book 1), by Mira Grant
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The year was 2014. We had cured cancer. We had beat the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: FEED.
Now, twenty years after the Rising, Georgia and Shaun Mason are on the trail of the biggest story of their lives-the dark conspiracy behind the infected. The truth will out, even if it kills them.
FEED is the electrifying and critically acclaimed novel of a world a half-step from our own---a novel of geeks, zombies, politics and social media.
Newsflesh FeedDeadlineBlackout
For more from Mira Grant, check out:
ParasitologyParasiteSymbiont Chimera
Newsflesh Short FictionApocalypse Scenario #683: The BoxCountdownSan Diego 2014: The Last Stand of the California BrowncoatsHow Green This Land, How Blue This SeaThe Day the Dead Came to Show and TellPlease Do Not Taunt the Octopus
- Sales Rank: #63426 in Books
- Published on: 2010-05-01
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x 1.25" w x 4.25" l, .80 pounds
- Binding: Mass Market Paperback
- 608 pages
From Publishers Weekly
Starred Review. Urban fantasist Seanan McGuire (Rosemary and Rue) picks up a new pen name for this gripping, thrilling, and brutal depiction of a postapocalyptic 2039. Twin bloggers Georgia and Shaun Mason and their colleague Buffy are thrilled when Sen. Peter Ryman, the first presidential candidate to come of age since social media saved the world from a virus that reanimates the dead, invites them to cover his campaign. Then an event is attacked by zombies, and Ryman's daughter is killed. As the bloggers wield the newfound power of new media, they tangle with the CDC, a scheming vice presidential candidate, and mysterious conspirators who want more than the Oval Office. Shunning misogynistic horror tropes in favor of genuine drama and pure creepiness, McGuire has crafted a masterpiece of suspense with engaging, appealing characters who conduct a soul-shredding examination of what's true and what's reported. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
While the past few years have seen no shortage of new takes on the zombie genre, critics thought that Feed broke away from the shuffling horde. They appreciated the care Grant took in building a detailed world, noting how she infused originality into genre elements like the vaccine gone bad. Some reviewers criticized this extensive exposition, and while none of them were ever bored by the world Grant describes, they questioned whether it was realistic for her characters to have such excellent recall of the apocalypse. Nevertheless, critics recommended Feed as a title that should entertain even those who are not normally fans of the SF or horror genre. Stay tuned for the second in the Newsflesh series, Blackout.
Review
"Astonishing ... a fascinating exploration of the future."―New York Times
"While there's plenty of zombie mayhem, political snark, and pointedly funny observations here, the heart of this book is about human relationships, which are still the most important thing in the world...even in a world where you might have to shoot the person you love most in the head, just to stop them from biting off your face."―Locus on Feed
"Feed is a proper thriller with zombies. Grant doesn't get carried away with describing her world or the virus. She's clearly thought both out brilliantly, but she doesn't let it get in the way of a taut, well-written story."―SFX on Feed
"The story starts with a bang as corruption, mystery, danger and excitement abound."―RT Book Reviews (4.5 stars) on Feed
"Gripping, thrilling, and brutal... Shunning misogynistic horror tropes in favor of genuine drama and pure creepiness, McGuire has crafted a masterpiece of suspense with engaging, appealing characters who conduct a soul-shredding examination of what's true and what's reported."―Publishers Weekly (Starred Review) on Feed
"Intelligent and intense, a thinking-person's post-apocalyptic zombie thriller set in a fully-realized future that is both fascinating and horrifying to behold."―John Joseph Adams on Feed
"I can't wait for the next book."―N.K. Jemisin on Feed
"It's a novel with as much brains as heart, and both are filling and delicious."―The A. V. Club on Feed
"OK, all of you readers who want something weighty and yet light, campy and yet smart, horror with heart, a summer beach read that will stay in your head and whisper to you "what if," Deadline is just what you are looking for."―RT Book Reviews on Deadline
"Deft cultural touches, intriguing science, and amped-up action will delight Grant's numerous fans."―Publishers Weekly (starred review) on Deadline
"Intelligent and exciting...raises the bar for the genre."―Telegraph on Deadline
"Wry and entertaining."―NPR Books on Blackout
Most helpful customer reviews
1 of 1 people found the following review helpful.
Wow
By Kristie Hunter
I have a book club for zombie apocalypse enthusiasts on Facebook and some members recommended this author. I am so glad they did. It is an awesome read. I read it till l fell asleep at night, cursing the need for sleep. I read on my lunch break, cursing the need for a job. It kept me interested, intrigued, nervous, happy and sad. It also had some thought provoking essays on the state of the world today, even though it's set in the future. I enjoyed starting a series about zombies, that had rebuilt society and the zombies were really a small part of the intrigue. Highly recommend this series
1 of 1 people found the following review helpful.
which can be skipped easily, it only takes up one page
By Kayla
There is one very detailed sex scene, which can be skipped easily, it only takes up one page.
The book is well written and suspenseful, and leaves on a great cliffhanger to make you desire the third book.
1 of 1 people found the following review helpful.
Could not finish it
By Amazon Customer
Too slow and ok I get it, she has sensitive eyes. I didn't need to hear it twenty times. Not enough action and too many explanations.
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