Kamis, 11 Februari 2016

@ Get Free Ebook Breaking Dawn (The Twilight Saga, Book 4), by Stephenie Meyer

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Breaking Dawn (The Twilight Saga, Book 4), by Stephenie Meyer

Breaking Dawn (The Twilight Saga, Book 4), by Stephenie Meyer



Breaking Dawn (The Twilight Saga, Book 4), by Stephenie Meyer

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Breaking Dawn (The Twilight Saga, Book 4), by Stephenie Meyer

When you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give, how could you not give it? If it was someone you truly loved?

To be irrevocably in love with a vampire is both fantasy and nightmare woven into a dangerously heightened reality for Bella Swan. Pulled in one direction by her intense passion for Edward Cullen, and in another by her profound connection to werewolf Jacob Black, a tumultuous year of temptation, loss, and strife have led her to the ultimate turning point. Her imminent choice to either join the dark but seductive world of immortals or to pursue a fully human life has become the thread from which the fates of two tribes hangs.

Now that Bella has made her decision, a startling chain of unprecedented events is about to unfold with potentially devastating, and unfathomable, consequences. Just when the frayed strands of Bella's life-first discovered in Twilight, then scattered and torn in New Moon and Eclipse-seem ready to heal and knit together, could they be destroyed... forever?

The astonishing, breathlessly anticipated conclusion to the Twilight Saga, Breaking Dawn illuminates the secrets and mysteries of this spellbinding romantic epic that has entranced millions.

  • Sales Rank: #9537 in Books
  • Brand: Little, Brown Books for Young Readers
  • Published on: 2010-08-03
  • Released on: 2010-08-03
  • Format: Print
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 2.00" w x 5.50" l, 1.50 pounds
  • Binding: Paperback
  • 768 pages
Features
  • Great product!

Amazon.com Review
Great love stories thrive on sacrifice. Throughout The Twilight Saga (Twilight, New Moon, and Eclipse), Stephenie Meyer has emulated great love stories--Romeo and Juliet, Wuthering Heights--with the fated, yet perpetually doomed love of Bella (the human girl) and Edward (the vampire who feeds on animals instead of humans). In Breaking Dawn, the fourth and final installment in the series, Bella’s story plays out in some unexpected ways. The ongoing conflicts that made this series so compelling--a human girl in love with a vampire, a werewolf in love with a human girl, the generations-long feud between werewolves and vampires--resolve pretty quickly, apparently so that Meyer could focus on Bella’s latest opportunity for self-sacrifice: giving her life for someone she loves even more than Edward. How close she comes to actually making that sacrifice is questionable, which is a big shift from the earlier books. Even though you knew Bella would make it through somehow, the threats to her life, and to her relationship with Edward, had previously always felt real. It’s as if Meyer was afraid of hurting her characters too much, which is unfortunate, because the pain Bella suffered at losing Edward in New Moon, and the pain Jacob suffered at losing Bella again and again, are the fire and the heart that drive the whole series. Diehard fans will stick with Bella, Edward, and Jacob for as many twists and turns as possible, but after most of the characters get what they want with little sacrifice, some readers may have a harder time caring what happens next. (Ages 12 and up) --Heidi Broadhead

From Publishers Weekly
It might seem redundant to dismiss the fourth and final Twilight novel as escapist fantasy--but how else could anyone look at a romance about an ordinary, even clumsy teenager torn between a vampire and a werewolf, both of whom are willing to sacrifice their happiness for hers? Flaws and all, however, Meyer's first three novels touched on something powerful in their weird refraction of our culture's paradoxical messages about sex and sexuality. The conclusion is much thinner, despite its interminable length. [...] But that's not the main problem. Essentially, everyone gets everything they want, even if their desires necessitate an about-face in characterization or the messy introduction of some back story. Nobody has to renounce anything or suffer more than temporarily--in other words, grandeur is out. This isn't about happy endings; it's about gratification. A sign of the times? Ages 12–up. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Grade 9 Up—Meyer closes her epic love story of a human, a vampire, and a werewolf in this, the final installment of the saga. The story opens with Bella and Edward's wedding, and relations between Jacob and Bella remain uneasy. On honeymoon and unshackled from any further concerns about premarital sex, Edward fulfills his promise to consummate their marriage before he changes Bella into a vampire. An unexpected conception throws their idyllic world back into chaos as factions (both wolf and vampire) battle over whether or not to destroy the potential monster that is killing Bella from within. The captivating angst, passions, and problems manage to satisfyingly fill pages where surprisingly little action takes place, even after the powerful child's birth brings the Cullen family under the scrutiny of the Volturi. The international cadre of vampires who come to the Cullens' aid are fascinating, but distract from the development of prime characters at a pivotal moment. The novel begins and ends with Bella's voice, while Jacob narrates the middle third of the tale, much like the final pages of Eclipse (Little, Brown 2007). While darker and more mature than the previous titles, Meyer's twists and turns are not out of character. Fans may distress as the happy ending for everyone, including a girl for Jacob, lessens the importance and pain of tough decisions and difficult self-sacrifices that caused great grief in previous books, but they will flock to it and enjoy it nonetheless.—Cara von Wrangel Kinsey, New York Public Library
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Most helpful customer reviews

1151 of 1392 people found the following review helpful.
The Worst Book Ever
By P. Spangler
While I've been known to exaggerate on occasion, I promise you I'm being completely serious when I say Breaking Dawn is the worst book I have ever read. The writing was atrocious, there was no drama and/or real conflict, and Meyer broke her own rules. Repeatedly.

Let's begin, shall we?

First, the writing itself was a huge problem. It's nearly impossible for me to believe Meyer was an English major in college. Maybe she was technically a literature major, but either way, she should have been exposed to enough decent writing to know how to produce it herself. And if she couldln't produce it from her own head, she probably had enough references to replicate it. Instead, Breaking Dawn reads like a terrible fanfiction. Meyer tends to overuse adjectives and adverbs, but does so in the least descriptive way possible. How did Bella look on her wedding day? I couldn't tell you, since Meyer never bothered to describe her dress other than to say it was satin-y. And how about the rest of the wedding ceremony? There were flowers "everywhere" and everyone looked "amazing." Thanks. I can totally picture that.

Bella is also the ultimate Mary Sue, which doesn't help Meyer's writing skills in my eyes. Bella is SO PERFECT. Everyone LOVES HER. Meyer's lame attempts to make Bella relatable by making her clumsy fall flat (pun intended), because the other characters think injury-prone Bella is adorable. Will Charlie object to Bella Sue getting married at 18? Of course not! Will Bella Sue become the most graceful vampire ever, even though she was the world's clumsiest person? You bet! Bella gets everything she wants in Breaking Dawn and sacrifices nothing.

There was also a conspicuous lack of drama and conflict in what should have been an epic conclusion to a series. As I mentioned above, Bella had no problem convincing Charlie that marrying Edward was the right decision. I was expecting more of an objection from the ol' sheriff. Denied. Jacob does make a small attempt to talk Bella out of turning into a vampire, but what could have been another interesting conversation is brushed aside by Bella. Why would she miss anybody she knew as a human? She'll be with her beloved Edward for all eternity; that's all she needs.

The sexy-time was also lacking. I'm not much of a smut fan, but I was hoping for more than a cheezy "fade to black" when Edward and Bella finally do the deed. After three books of anticipation and denial, Meyer doesn't have the balls to give us more than Bella walking toward Edward in the water. Seriously, Meyer? You can show Bella vomiting "a fountain of blood" but kissing before sex is too shocking? Nothing interesting here, folks.

There is also the issue of Bella's pregnancy. Nowhere in the previous three books, and I mean NOWHERE, did Bella mention a desire to be a mother. But as soon as Edward gets his vampire sperm inside her, she decides that motherhood is the most important thing on Earth. (Inconsistent much, Meyer? Another sign of bad writing!) I was expecting Bella to freak out, get angry at Edward, and blame him for ruining her life when she thought she could never get pregnant! But instead, Bella is inexplicably calm and instantly bonds with her "little nudger." Again, any drama that could have been just melted like an ice cube in Death Valley. The plot floats along...

The previously mentioned "fountain of blood" happens when Bella goes into labor. To make a long and rather gruesome story short, the baby almost kills Bella, and would have, had Edward not turned Bella into a vampire. Bella lays on a table for a couple of days until the venom stops her heart. She's dead! Let the crazed baby vampire gather her bearings! She's dangerous right now! Right? Wrong. Bella Sue is the perfect vampire, so graceful and strong. She requires almost no adjustment time, even though Meyer told us in previous books that new vampires are totally out of control. Again, all conflict nipped in the bud.

This leads us to Meyer breaking her own rules. Bella is totally in control of herself as a new vampire even though, according to Meyer's own words, it's totally normal and EXPECTED to have a lenghty adjustment period. Jasper struggled for years, but Bella gets the hang of things in a day. Of course. Meyer breaks the rules so Bella Sue can have her perfect life.

Meyer also gets into a sticky situation with Bella's pregnancy. According to Meyer, speaking through (I believe) Carlisle, vampires don't have any liquid in their bodies except for their venom. Last time I checked, sperm isn't venomous. Getting Bella pregnant should have been impossible if Meyer followed her own rules! That entire plot device (which only served to give Jacob something to imprint on) was an amateurish cop out that I would expect to find in fanfiction, not a novel written by an adult with a college degree.

Oh yeah, they named the baby Renesmee. Vomit.

And then Jacob imprints on it. Double vomit.

Allow me to backtrack for a second. I forgot to mention another scene that should have been exciting but wasn't: the confrontation with the Volturi. Yep, the leaders are back and they want to kill the Cullens for making an "immortal child." Finally, some action! The Cullens invite some vampire friends to gather at their house and fight the Volturi, which should be the epic conflict we've all been waiting for! Except it most definitely is not. It turns out that Bella has a shield she controls with her mind. All the does is put the sheild around everybody and they're impervious to weapons. The Volturi stand around and talk for a while and then... leave.

Breaking Dawn was a letdown in every sense. Meyer's writing didn't improve (it got worse, actually), there wasn't any tension or action, and a lot of the rules established in the first three books got thrown out the window.

Avoid this book at all costs.

(Note: Don't be fooled by the high number of five-star reviews; a lot of them are two sentences long and say things like, "BELLA AND EDWARD ARE IN LOVE!!!!1!11one" They may very well be, but that doesn't make it a good book.)

1485 of 1798 people found the following review helpful.
So bad, I want to rewrite it myself
By Chicklet
I started reading this series after I heard a rave review on NPR during their "Guilty Pleasures" segment. The middle-aged gentleman described Twilight with such enthusiasm that I couldn't resist temptation. I bought the four-book set and settled in for a long weekend of reading.

Three days and 2400 pages later, I'd finished the four novels. I adored Twilight, tried not to slap whiny Bella during New Moon, and mostly skimmed through Eclipse trying to get to something interesting. Finally, I got to Breaking Dawn. I have never been so let down by a book in my entire life. I don't even need to go into all the ways that this book was horrible - the other reviewers have done that well. But, here I go anyway:

Wedding - So, Bella's wedding to Edward was not what she wanted, but what she was willing to trade for sex and immortality. The wedding itself was not her vision and in no way represented their unique love, but was instead a fantasy created fully by Alice's vision.

Honeymoon - Meyer is telling us that sex is scary and awful. You will have a lot of pain your first time and your husband, who puts you up on a pedestal, will hate himself for "hurting" you, no matter how yummy delicious it is. Oh, and once you do get some, it's pretty much the only thing you'll want, and your new hubby will reject you, mercilessly, due to his own hang ups. Woo! I gotta get me some of that!

Also, how come it's either a little french kissing or sex? How come no one ever talks about alllll that space in between those two extremes? What a perfect place for her to talk about sex and the implications of it, especially given her target audience.

Pregnancy - You will get pregnant the very first time you have sex. Pregnancy is the most horrible state you will ever experience. It will be stunningly painful as your body is taken over by something that hurts you, and tries to kill you, and eventually chews its way out of you. The bloodbath of child birth is fine - but it says a lot, to me, about Meyer that she can't write the sex, but can write the gore. Or maybe it's about society, and not Meyer at all. Take your pick.

Renesmee - Say it out loud. I dare you. Look, I get what Meyer was trying to convey here about the beauty of having a child, the connection that a newborn's family feels to the child and how fleeting childhood is. But come on! The massive gaps in logic and leaps of faith it takes you to get here are stunning. Stunning. And impossible.

Jacob - Sigh. Poor Jacob. This boy never had an ounce of pride, he submitted it all to Bella, only to find himself a pedophile in the end. How utterly freaking awful. (and yeah, I tried to go with the whole "it's fiction, not pedophilia" but I just couldn't get there. It was creepy.)

The Cullens - Who? No seriously though, Edward had a family? Where were they after page 150?

Renee and Charlie - So, while Renee has been the primary parent and the person that Bella is closest to for the entire series, suddenly she's just...absent. Laaaame. And suddenly Charlie is Bella's first concern, but we've been given absolutely nothing by way of character development to buy into this. Again, I say: Come on!

Editing: Look, I don't know who edited this book, but ZOMG! fire that person. There were so many errors it was distracting. Dialog tagging: use it. Also, adverbs are not your friends. If Bella "shyly" does one more thing, I'm going beat her with her own arm. If you have to tell us that people are chuckling, giggling, that their eyes are "tightening" (wth does that even mean?) then you're failing at description. If you must tell and not show, read some Willa Cather. She gets away with it. You don't. So stop.

Tone: I'm guessing that Meyer took a break from Twilight land to write "The Host" and that's why the entire tone of this novel is off. It just doesn't even sound like it was written by the same person.

At the end of this novel, I wanted to rewrite the whole thing myself. I wanted to see why Bella decided that she would marry Edward. I wanted her to give a damn about the wedding and see some reverence in it. I wanted to see a real deepening in her relationship with Alice. I wanted Esme to be more than just a paper doll mother figure. I wanted a real, honest to goodness sex scene that lived up to three freaking novels worth of some of the steamiest kisses ever. I wanted Bella to pay a price for some of her choices. I wanted that epic battle with the Volturi to actually happen. I wanted someone to die. Meyer cheated us out of the thoughtful endings that we get when good triumphs over evil. That's what makes life sweet, and makes us appreciate what we have - working for it, sacrificing for it.

Bella would have actually wanted to marry Edward. She would have cared about the decorations and Alice would have developed into a real sister, and not some overblown party planner. There would have been real sex - not smutty, but real, nonetheless. Pregnancy would have disappeared. Bella would have had to make the choice - between having babies and having Edward. She would have been cruel to be kind and given Jacob his freedom. Jacob would have grown and gotten over her, and moved on and found real love with someone who loved him back - maybe even Leah, since that ground was laid pretty well. Bella would have spent months being a newborn, filled with nothing but bloodlust. Jessica would be her first victim. The Cullens would have worked tirelessly to help her transform, and we could have gotten to know them all so much better. Rosalie might have died, doing something selfless for once in her life. That would have been doubly meaningful if Meyer rewrites the whole series from Edward's POV (ala Midnight Sun, which in rough draft form is head and shoulders better than Breaking Dawn.) Bella would have to give up Charlie and Renee for a while, but eventually they would be able to be in her life, altho in a much more limited way. There are a million possibilities that could have had a very nice happy ending, with a bit of bitter thrown in with the sweet.

Meyer is a great storyteller and an okay writer. If she gets a better editor and learns some discipline, she could be very good. I found this particular book to be a total betrayal of the earlier books, which is why my review is so harsh. Overall, I hope she keeps going, and I *really* hope she keeps going with Midnight Sun, which so far, I love.

363 of 438 people found the following review helpful.
Just, wow.
By Maya Jewel
At the time, I was 12, and I had seen Twilight in book stores hundreds of times. I had never paid it any attention until one day I finally decided to read it. I had read the back cover, but it wasn't too informative, but I did gather the fact that it was typically about vampire love. So, against my better judgment, I thought "Well, if I've seen it this many times it MUST be good."

The beginning of Stephenie Meyer's writing leaves so much to be desired. In all of her books, for the first 150-200 pages I am bored out my mind, wishing for SOMETHING exciting to happen. I remember reading Twilight and being at least a hundred pages in and not caring about any of the characters at all. If they all decided to jump off a bridge I doubt I would have batted an eyelash. But then, something that changes the entire story occurs and it finally gets interesting 'till the point where I just can't put the book down. That is, until Breaking Dawn. I remember being at page 107, and looking at the 550-600 more pages I had to read and feeling like breaking down and crying. I wanted to chuck the book out the window and just have my friends fill me in on what happened, because I was just sick of it all. I had to force myself to read what I did, and every five minutes or so I got distracted by something around me because the book just couldn't hold my attention.

In Twilight, I instantly liked Edward because of what I thought he'd be, but then later I realized I got his personality all wrong. I imagined he'd be . . . I don't know, different. Deep, meaningful, calm, cool, collected. Not some overactive stalker. (He said to her face that when she got to Forks he WATCHED her SLEEP. I mean, mega ew much?) Bella, I hardly had much of an opinion on until much later. She wasn't strong enough for me to respect, didn't have enough of a personality for me to like, and wasn't practical or smart enough for me to even comprehend. Her boyfriend was a freakin VAMPIRE, and she's totally fine with that. She wasn't terrified, or even the slightest bit nervous, which makes no sense. Think about it for a second: If your boyfriend is a VAMPIRE, would you be THAT cool about it? You wouldn't be scared at all, when a month ago the thought of a vampire existing would have you laughing at the absurdity? But here, Bella is introduced to a world of vampires and werewolves and she's pretty much chill with it all.

Um, where's the conflict? Where's the "OMG YOU'RE A VAMPIRE?" Where's the "Ohmygoodnesswhatonearthisgoingon?" panic attack? Vampires and werewolves don't just waltz into everyday life and I expected at least SOME kind of resentment or hesitation Bella would have for Edward. But oh no, that would make too much sense.

In New Moon, I had the slight hope that maybe through the course of the series Meyer would have Bella grow and develop into a strong, wonderful and mature character. Sadly, she didn't. To the very end, Bella remains a selfish, impractical, and illogical girl who for the life of me I can't stand. Jacob was the only one with a sliver of a complex personality. He had a goal and did everything in his power to achieve it, and throughout the books you saw the different faces of his personality. Everyone else's personality could just be classified with one or two descriptions.

I won't even get into Eclipse, because I can never remember what it was about.

[Spoilers]

Okay, from the beginning. What was with that wedding? The wedding was something I was actually EXCITED about. I thought "Oh, wow, I wonder how Alice is going to out due herself." Honestly, I don't even remember what anything looked like. Weren't the colors white and blue? That's probably wrong, but then again that's Stephenie Meyer's horrible descriptions at work. Most of the time I just imagine what everything and everyone looks like for myself. I didn't even KNOW Alice had spiky hair until the third book when Bella patted her head. "What? Alice has spiky hair? Since when?" And I didn't have a single clue as to what Jasper looked like besides that he had golden eyes and was blonde, and then after Bella becomes a vampire they mention his scars. Oh, and there's also the fact that Rosalie is gorgeous. Well, come on now, how descriptive is that? Gorgeous HOW? Like, pretty pretty model gorgeous? Or sophisticated gorgeous? Or seductress gorgeous? Meyer, come on girl, surely you can be more creative than just using vague descriptions about people.

Now, the honeymoon was nice and all, something I thought she could have skipped until I saw the purpose it held. Bella gets pregnant! Oh joy! Oh hell. She's 19, and she gets pregnant. What kind of message was Stephenie Meyer trying to send to the young audience that reads her books? At least Edward had the decency to call Carlisle and assure Bella they would get Nessie out of her. (I am going to call her Nessie, because I think Renesmee is a hideous name and Meyer should be slapped for even considering it for the girl.) But what does Bella do? She stops him. She suddenly gets an overpowering sense of maternal instincts and wants to keep her baby. Bella didn't even really like children, and before then she never had the slightest thought about wanting one. But now, she's suddenly ready to die for this thing that's sucking the life out of her. In plain text, Bella isn't the motherly type. I wouldn't trust her to take care of my dog, let alone a baby. Isn't this the same Bella who did dangerous stunts to hear a voice in her head? Isn't this the same Bella who, on a whim, thought it was fine to jump off a cliff in a rainstorm? Being pregnant doesn't magically make you a mom, or magically make you mature. It makes you utterly terrified. No matter whom you are or how old, for any woman who gets pregnant, her first instinct is to have her mom there at all times. But does Bella call Renee? Nope, she calls Rosalie. ROSALIE, PEOPLE. That makes SO much sense.

Another point about Nessie: Wasn't she just the PERFECT baby? I mean, she was disgustingly perfect. I mean, when at all did Bella ever show any true motherly characteristics? I was surprised at Meyer, because she actually does have children, and I wondered what she was thinking when she wrote about Nessie. When did Bella ever feel the horrible strain that comes with taking care of a baby? Nessie was way too perfect. There was no constant feedings every two hours, there was no changing diaper after diaper, there was no shopping for baby clothes and supplies, there was no Nessie waking up at 3 AM and crying - which was a surprise, considering the head-board destroying sex Bella and Edward have every night. You'd think it would wake her up - and there was not much of anything. The only time Nessie cried was when she wanted Bella, which I thought was just plain ridiculous. (So what, she never wanted Edward?) Now, I understand that sometimes there IS such a thing as a quiet baby. I was one myself, and I never cried unless something was wrong with me, but there is no baby that just doesn't cry at all unless it wants its mom. That just doesn't happen. (Did anyone else feel Alice's statement that Nessie had never been set down in her life laughable? When I read that, I didn't know whether to fall out my chair laughing or give myself a face-palm and chuck the book into the dirt where it belonged. Honestly, I was surprised Nessie could even walk.)

May we move on to Jacob's point of view? I thought it was going to be, like, Jacob traveling the world from Canada to Mexico to South America to Greece and such on a spiritual journey to find himself and realize that he really, really didn't need Bella. But again, I was wrong and expected too much. No, instead he hangs around Forks, determined to stay with Bella until she has her monster baby and they turn her into a vampire. Oh, but there's a solution! They can abort the baby, and then Jacob can have a baby with Bella the NORMAL way, so Bella can still have a child. Btw, this was Edward's idea. Btw, Jacob agreed.

Ew, much. Ew on so many levels.

But I guess Bella isn't THAT sick because he didn't agree. One of the smartest moves she's made this whole series.

Another thing, I hated how Bella skipped the newborn stage. I was actually excited about that, wishing, praying that Bella would turn evil and start killing off humans. Wouldn't that be so interesting?! Her, the heroine, suddenly becoming the evil villain, using her vampire powers for her evil deeds. And wouldn't it have been beautiful if the Cullens and Blacks and Volturi and whatnot had to, oh goodness, KILL her to preserve the secret and save humanity? I would have loved Meyer if anything remotely relating to that had happened. But, as I've learned, I always expect this woman to redeem herself and the whole series be worthwhile, only to be continually disappointed.

So, why did Bella skip the newborn stage? Oh right, because it was her state of mind. She didn't WANT to be one, therefore she WASN'T. Because Bella is SPESHUL, therefore she can DEFY the natural laws Meyer has set up. But since Meyer just wants all her characters to be happy, even if it means doing so in the most illogical ways, she decided to have the most sugar-coated fairytale ending I'd ever read in my life that wasn't in picture book.

So, Bella gets everything she wants, including Edward, a baby, a family, immortality and tons and tons of sex? Check. Jacob has someone, even though she's 2 months old and it makes him a pedo? Check. The Volturi are defeated without actually engaging them in battle, causing the most depressing let-down in the history of potential battle scenes ever? Check. Sugar cakes and muffins and gummy bears rain from a glittering sky and Carebears run frolicking through the meadows of innocence as the final ending? Check. Well, well, Meyer, you've outdone yourself if I do say so myself.

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