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Nightschool, Vol. 4: The Weirn BooksSvetlana Chmakova
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The Sohrem is rising, the Hunters are on the move, and Alex is caught in the middle! As forces conspire to draw the young weirn and her allies back to an empty school, the shadow of the enemy who has been pulling all the strings begins to show. But is it the enemy without - or the one inside her - that Alex should fear the most?!
- Sales Rank: #288806 in Books
- Brand: Chmakova, Svetlana
- Published on: 2010-10-26
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .75" w x 5.75" l, .60 pounds
- Binding: Paperback
- 224 pages
About the Author
Svetlana Chmakova was born and raised in Russia until the age of 16, when her family emigrated to Canada. She quickly made a name for herself with works like Dramacon, Nightschool, the manga adaptation of James Patterson's Witch & Wizard, and the webcomic Chasing Rainbows. She graduated from Sheridan College with a three-year Classical Animation Diploma. Her latest work for middle grade readers, Awkward, has been a runaway critical success and was named one of YALSA's 2016 Top Ten Great Graphic Novels for Teens!
Most helpful customer reviews
3 of 3 people found the following review helpful.
More the End of the Beginning....
By Gordon P. Gailey
After finishing Volume Four the feeling is that I have just read the introduction to the work the author really wanted to write. The characters and world have been introduced and now the serious work is to begin, but the book ends before that point -- making this more a "slice of life" than a heroic epic.
Pros: the author has a fine touch on discussing her world so that the plot flows along without dying of "Death By Exposition". The characters are interesting and likable, the Astrals are fun without being cute, and the art is striking without being cluttered.
Cons: The Author calls a "Time Out!" on the Sohrem Menace Plot Line and leaves it for the next cycle of books (if she ever writes them!). This is disappointing as is the fact that the main characters are saved by the adults. After four books I was hoping for something more "heroic" rather than reasonable... This is why I give it a solid "4 stars" instead of five.
3 of 3 people found the following review helpful.
ErikaT
By Erika Terriquez
Svetlana never fails to amaze me. The world created is beautifully drawn as well as captivating. I first discovered her works because of Dramacon Ultimate Edition and have since became a huge fan! I love her art as well as the stories she comes up with. Although this is the end of this arc I hear there is a new arc in development that makes me extremely excited.
The story itself ties up really nicely in the final volume along with a few extras from the creator afterwords. The story not only finishes the current arc but begins a nice setup for the next arc. If you like any of her previous work or enjoy stories that don't take themselves too seriously this is a series to pick up!
1 of 1 people found the following review helpful.
Studies in Storytelling: Some Clever and Beautiful Things
By Studies in Storytelling
This review is from my blog, Studies in Storytelling. To see the complete version, please visit [...]
Nightschool is an American-published manga by Russian-Canadian mangaka Svetlana Chmakova, most famous for Dramacon.
A normal school by day, The Nightschool teaches vampires, weirns, mermaids, etc. The coarse, homeschooled Alex Treveney tries to track down her sister, Sarah, a teacher at the Nightschool. She also has a slight tendency to black out and leave slow, brutal death in her wake.
Across the four books, I had fun picking apart some of Chmakova's storytelling tricks.
6. Delving into different types of pessimism and optimism is a fun way to develop characters/contrasts. The cheerful Sarah Treveney is pessimistic about the ball-busting Mrs. Hatcher, who in turn offers her optimistic support. Instant synchronized character dynamism!
5. The storytelling emphasizes slow moments. On pages 154-155 of volume 1, for example, back-to-back panels are almost identical, showing very gradual change. A door, a portal, slowly closes. If the door were "the clock" of the story and we had a protagonist racing through it like Indiana Jones, it would build suspense. But this slow-motion-ization serves a different purpose. It creates a sense of finality. It clues you in and braces you: The person who has gone through the door will not come back.
4. I like how to book handles cursing. It's @#*%ing good at it. I wish this kind of censorship were acceptable in YA formats. It's not an entirely distracting compromise. It allows for the maintenance of a little realism.
3. Magic always has a recognizable relationship to technology. A street gang fights with a combination of pistols, crossbows, and poison. The process of tracking spells is tantamount to hacking computer systems. Magical pills stabilize psychological dysfunction in Seers. Astrals are like iPhones combined with pets. They provide passcoded hiding places for files, remind you of the time, sound security alerts, and beg for treats.
2. The story asks, and sometimes even answers, good questions about death. What is the difference between death and existence? Nightschool answers, Memory and evidence of life. What is memory's relationship to death? Without memory, death achieves something greater than itself. The dead becomes nonexistent. And finally, how is a slow death both crueler and kinder to loved ones? At the story's turning point, most characters have braced themselves for the death of their friends - but one cannot stand for it and seeks revenge. Unanswerable questions always seem to be the strongest, don't they?
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